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The Phenomenon of Invoking Fudō for Pure Land Rebirth in Image and Text |
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| 著者 |
Mack, Karen
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| 掲載誌 |
Japanese Journal of Religious Studies
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| 巻号 | v.33 n.2 |
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| 出版年月日 | 2006 |
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| ページ | 297 - 317 |
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| 出版者 | Nanzan Institute for Religion and Culture=南山宗教文化研究所 |
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| 出版サイト |
http://nirc.nanzan-u.ac.jp/en/
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| 出版地 | 名古屋, 日本 [Nagoya, Japan] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 英文=English |
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| ノート | Karen Mack is currently affiliated with the Jodo Shu Research Institute in Tokyo, where she
is translating the three Pure Land sutras for the Institute. Her primary specialty is Heian
period painting and images of Fudō. |
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| キーワード | Fudō; Raigō; Acalanatha; Myōe; Miroku; Sōō; Maitreya; Genshin; Tosotsu; anjin; jikushu |
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| 抄録 | Invoking the esoteric Buddhist deity Fudō for rebirth is a lesser known aspect
in the development of Pure Land worship. Fudō was invoked by reciting
his incantation as a deathbed practice to attain proper mindfulness at death
allowing rebirth into the Pure Land, particularly Miroku’s Heaven, from the
late Heian into the Kamakura period. The association of Fudō and Miroku’s
Heaven extends back to the Tendai monk Sōō (ninth century), and invoking
Fudō for rebirth was practiced by such notables as Emperor Shirakawa and
the Kegon monk Myōe. Fudō was incorporated into Miroku Raigō paintings
from the end of the twelfth century into the fourteenth century, probably as a
last recourse by the traditional schools of Buddhism to the rising popularity of Amida worship and easy access to Amida’s Pure Land through the nenbutsu. |
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| ISSN | 03041042 (P) |
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| ヒット数 | 1462 |
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| 作成日 | 2007.08.02 |
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| 更新日期 | 2017.09.07 |
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