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From the "Topos of Nothingness" to the "Space of Transparency": Kitaro Nishida's Notion of Shintai and its Ingluence on Art and Architecture (Part 1) |
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| 著者 |
Baek, Jin
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| 掲載誌 |
Philosophy East and West
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| 巻号 | v.58 n.1 |
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| 出版年月日 | 2008.01 |
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| ページ | 83 - 107 |
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| 出版者 | University of Hawaii Press |
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| 出版サイト |
https://uhpress.hawaii.edu/
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| 出版地 | Honolulu, HI, US [檀香山, 夏威夷州, 美國] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 英文=English |
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| 抄録 | In his philosophy of nothingness, Kitar Nishida illuminates the matrix of transformation of the world "from the Created to the Creating" (tsukuru mono kara tsukurareta mono e) through shintai, or the body. In this matrix, shintai enters into the stage of an action-sensation continuum and emerges as the immaculate iconic tool of nothingness to create new figures as extended self. This idea of shintai has resonance with the development of postwar art in Japan. The "Space of Transparency" put forth by Ufan Lee, the leader of Monoha, is the principal example. This essay investigates Nishida's notion of shintai and its influence on Lee's theory of art. |
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| ISSN | 00318221 (P); 15291898 (E) |
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| DOI | 10.1353/pew.2008.0005 |
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| ヒット数 | 1400 |
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| 作成日 | 2007.12.13 |
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| 更新日期 | 2019.05.17 |
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