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The Gender of Buddhist Truth: The Female Corpse in a Group of Japanese Paintings |
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| 著者 |
Chin, Gail
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| 掲載誌 |
Japanese Journal of Religious Studies
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| 巻号 | v.25 n.3-4 |
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| 出版年月日 | 1998 |
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| ページ | 277 - 317 |
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| 出版者 | Nanzan Institute for Religion and Culture=南山宗教文化研究所 |
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| 出版サイト |
http://nirc.nanzan-u.ac.jp/en/
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| 出版地 | 名古屋, 日本 [Nagoya, Japan] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 英文=English |
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| キーワード | 佛教人物=Buddhist; 繪畫=painting |
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| 抄録 | Japanese Buddhism is generally considered to be misogynist in nature.
Scholars, who are familiar with paintings of the female body in nine
aspects of decay, called kusozu, believe that these paintings represent the
sexist nature of Buddhism. In an attempt to interpret the paintings within
religious and cultural historical contexts, this paper examines a series of
these paintings with respect to the legend of the ninth-century poet, Ono no
Komachi，and Tendai thought on original enlightenment (hongaku). |
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| ISSN | 03041042 (P) |
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| ヒット数 | 922 |
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| 作成日 | 1999.07.14 |
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| 更新日期 | 2017.08.25 |
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