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唐代莫高窟的多重「華嚴」結構與「中心壇場」的形成=The Central Mandala in the Mo-kao Grottos of the T'ang Dynasty |
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| 著者 |
賴鵬舉 =Lai, P'eng-chiu
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| 掲載誌 |
圓光佛學學報=Yuan Kuang Journal of Buddhist Studies
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| 巻号 | n.7 |
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| 出版年月日 | 2002.12 |
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| ページ | 97 - 112 |
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| 出版者 | 圓光佛學研究所=Yuan Kuang Buddhist College |
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| 出版サイト |
http://www.ykbi.edu.tw/
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| 出版地 | 桃園縣, 臺灣 [Taoyuean hsien, Taiwan] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| キーワード | 華嚴; 涅盤; 中心柱; 中心壇場; 十方佛; 四方佛 |
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| 抄録 | 隨唐以後的敦煌莫高窟，由於「華嚴」盧舍那思想的進入與擴展，石窟在造像與形制兩方面皆受影響而產生了相當的改變. 在石窟造像方面，由於華嚴義學多重相互含攝的特性，使窟內四壁的造像呈現了多樣性與豐富性，且在多樣變化中不失其整體的協調與一致性. 乃至演變為中唐以後石窟造像對中軸的對稱性，徹底改變了北魏以來以「涅盤」思想為造像的單一性; 在石窟形制方面則將北魏以來表現涅盤內涵的「中心柱」改為適合華嚴一多含攝的「中心壇場」，開啟了敦煌唐代石窟爾後往懺，密法等儀式性空間的發展.
Due to the introduction and spread of Vairocana thought of Avatamsaka Buddhism，the physical characteristics of the Tun-huang Mo-kao grottos (敦煌莫高窟) and their images during the post Sui (隋)and T'ang (唐) periods underwent major changes. Images inside the grottos were characterized by their iconographic meanings of mutual interpenetration and non-obstruction，resulting in a variety and an abundance of images on the grotto walls. Additonally，a holistic and unifying connection among these different images was not lost. This led to the development and evolution of the symmetry that characterizes the grotto images after the mid-T'ang (中唐) period which was a complete change from the singular characteristic of those images of the Northern Wei (北魏) period based on Nirvana thought. Since the Northern Wei period，the physical appearance of the grotto images were characterized by the "central axis, " a symbolism of the substance of Nirvana thought. Afterwards, there occurred the transformation into the structure of the "central mandala, " a symbolism of the "one in all，all in one" ideology of Avatamsaka thought. This establishment of the T'ang period Tun-huang grottos provided room later on for the development of ritualism including repentance rites, esoteric practice，and so on. |
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| ISSN | 16086848 (P) |
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| ヒット数 | 1224 |
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| 作成日 | 2003.07.31. |
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| 更新日期 | 2019.10.24 |
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