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論禪門詩偈選集之流變 - 以《禪宗雜毒海》為例=The Development of Collected Poetries in Chan Buddhism: A Case Study of Chanzong Zaduhai |
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| 著者 |
賴霈澄 =Lai, Pei-Cheng
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| 掲載誌 |
中華佛學研究=Chung-Hwa Buddhist Studies
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| 巻号 | n.21 |
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| 出版年月日 | 2020 |
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| ページ | 73 - 102 |
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| 出版者 | 中華佛學研究所=Chung-Hwa Institute of Buddhist Studies |
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| 出版サイト |
http://www.chibs.edu.tw/
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| 出版地 | 新北市, 臺灣 [New Taipei City, Taiwan] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| キーワード | 禪宗=Chan Buddhism; 選集=Collected poetries; 分類集成=Classification categories; 語錄=Recorded sayings; 僧詩=Monastic poems |
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| 抄録 | 《禪宗雜毒海》是一本以禪門詩偈為主的選集，有別於一般詩選集以詩人或體裁為單位進行編次，該集乃是以主題分類且專收禪門詩偈，自成
其獨特面貌。本文以《禪宗雜毒海》為研究對象，分別就內容風格與體裁演變兩方面考察。
首先，此選集從明初至清初至少經過三次編輯，經過比對類目可知，《禪宗雜毒海》選詩以禪門日用之詩偈為主，來源多為祖師語錄中的詩
句。然到清代的選本，除了保留上述叢林功能性的詩歌外，涉及宗教修行與禪境體悟的詩歌也匯聚成不同類目，反映了元代至清初叢林詩風的變
化。
其次，本文也考察了《禪宗雜毒海》所代表的分類集成選詩體裁之流變，由燈錄、頌古集、偈頌集、僧人詩文別集等不同禪籍形式的演變中，
可以發現原本與語錄或機緣相連的詩偈，有部分開始獨立成冊；同時，古德語錄浩繁與宗派內部需求等不同驅力下，分類以成懿範的現象也在元代以後出現。可以說，詩偈獨行與分列門類兩種編輯原則形成了今日所見的《禪宗雜毒海》，在種類紛呈的禪籍中成為一特色鮮明的選集。
As a collected poetry of Chan masters, Chanzong Zaduhai has a distinguishing feature on its classification categories based on topics of poems which is very different from other collected poetries, usually compiled in the order of chronologic poets or various subgenres. This article includes two perspectives in the research on Chanzong Zaduhai: its contents and subgenre changes.Firstly, the poetry has been edited for at least three times from early-Ming to early-Qing. By poring over the titles of categories, it reveals that there are considerable amount of poems concerning daily life or religious rituals in monastic communities and many of them originating from “ Yulu” (masters’ recorded sayings). Nonetheless, the Qing dynasty version, besides the functional poems, also covers new categories including others works about religious practices or one’ s enlightened moments which reflected the development of Chan poems from Yuan to Qing.
Secondly, this article also investigates how the classification categories used in Chanzong Zaduhai emerged in the history of Chan literature. In the evolution of different Chan subgenres such as “Denglu”, “Songguji”, “Jisongji” and collected tracts, some of the poems originally linked together with recorded sayings or related stories, a.k.a. “ Ji yuan”, were selected into separate collections. At the same time, due to the great amount of recorded sayings and the internal demands within different schools, some editors tended to classify these works into different model classes since Yuan dynasty. In short, there are two compilation principles in Chanzong Zaduhai: 1. Poems picked-up independently from recorded sayings and 2. the classification categories. That led to the formation of Chanzong Zaduhai as a prominent role in the history of Chan literature. |
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| 目次 | 一、前言 75
二、《禪宗雜毒海》版本 78
三、祖闡版至性音版的演變軌跡 81
（一）編選架構與各卷主題 81
（二）從小佛事到節臘詩 85
（三）十牛頌與示耕詩 87
四、「分類成集」的體裁流變 92
（一）北宋燈錄與頌古集 92
（二）南宋《古尊宿語要》、《禪門諸祖師偈頌》 93
（三）元《禪林類聚》、日本《諸偈類要》 94
五、結論 96 |
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| ISSN | 1026969X (P) |
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| ヒット数 | 379 |
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| 作成日 | 2021.07.28 |
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| 更新日期 | 2021.08.04 |
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