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星雲大師人間佛教及其建築實踐－以佛陀紀念館為例=The Humanistic Buddhism of Master Hsing Yun and the Architectural Practice: A Case Study of Buddha Museum |
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| 著者 |
翁琬君 (撰)=Wong, Wan-Chun (compose)
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| 出版年月日 | 2016 |
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| ページ | 97 |
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| 出版者 | 南華大學 |
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| 出版サイト |
https://web.nhu.edu.tw/
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| 出版地 | 嘉義縣, 臺灣 [Chia-i hsien, Taiwan] |
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| 資料の種類 | 博碩士論文=Thesis and Dissertation |
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| 言語 | 中文=Chinese |
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| 学位 | 修士 |
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| 学校 | 南華大學 |
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| 学部・学科名 | 宗教學研究所 |
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| 指導教官 | 賴凱慧（釋如常）、李芝瑩 |
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| 卒業年 | 105 |
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| キーワード | 星雲大師=Venerable Master Hsing Yun; 人間佛教=Humanistic Buddhism; 佛陀紀念館=Buddha Museum; 菩薩道=Bodhisattva Path; 人間淨土=Pure Land on Earth |
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| 抄録 | 本論文藉由人間佛教理念的分析，透由羅蘭巴特的符號學理論及相關建築概念，探討符號象徵手法所指涉的人間佛教義涵，並找出該理念實踐於建築上的運用方式和核心價值。歸納星雲大師人間佛教理念，回歸佛教教主釋迦牟尼佛本身言，融攝「佛陀是人」及「人間佛教以人間為依歸」二義涵，並發掘該理念具有兩個重點，一者強調「人本」之精神，二者回歸「人間」之重要性，並以「菩薩道」為修行方向，以「現生」及「淨土」為重要之時空概念。
佛館建築造有佛柱、佛塔、佛寺，以及佛像等多種佛教建築，其呈現可分兩方面，一是針對佛、時間、信仰三元素，從中認識佛館建築的歷史象徵、信仰符碼；二則為人、空間、生命三元素，了解佛館建築具有重視自然環保、闡揚平權護生、體現生活佛教之面向，故以「護生」、「平等」、「人本」為理念，其目的最終在建設一和諧之人間淨土。
With the ideology of Humanistic Buddhism as point of analysis, combined with Roland Barthes’ semiotic theory and related architectural concepts, this dissertation will examine the meaning and value of Humanistic Buddhism through the lens of symbolism in order to discover how the ideology of Humanistic Buddhism is realized on the utilization and core values of an architecture. Venerable Master Hsing Yun’s Humanistic Buddhism bears the ideology of returning to the original intents of the founder of Buddhism, Sakyamuni Buddha, which is achieved by combining the two values of “the Buddha as a Person” and “Humanistic Buddhism as the Refuge of the Human World”. These two concepts bears two importance: firstly, it emphasizes the spirit of focusing on humans, secondly, it returns to the importance of being in the human world. Its direction of cultivation lies on the “bodhisattva’s path”, and its most important concepts of time and space are found in“the present” and “pure land”.
The architecture of the Buddha Museum contains different Buddhist structures such as Buddhist columns, Buddhist stupas and pagodas, Buddhist temples, as well as Buddhist statues. The architecture can be categorized in two ways; the first is the three elements of Buddha, time, and faith, which can be understood through historical symbolism and religious semiotics of the architecture of the Buddha Museum; and the second is the three elements of human, space, and life, which can be understood through the Buddha Museum’s architecture that realistically features Buddhism in daily life, as seen by its emphasis on nature and environmental protection, as well as the call for equality and life protection. Thus, the ideology of Buddha Museum’s architecture are “life protection”, “equality” and “the spirit of focusing on humans”, and its goal is to build a harmonious pure land on earth. |
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| 目次 | 第一章緒論1
第一節研究背景與動機目的1
第二節研究方法2
第三節前人研究文獻回顧5
第四節論文架構闡釋14
第二章星雲大師人間佛教理念15
第一節人間佛教義涵16
第二節人間佛教與菩薩道之關係21
第三節人間淨土的目標24
第三章佛、時間、信仰27
第一節佛陀紀念館的設計27
第二節佛館建築的歷史象徵32
第三節佛館建築的信仰符碼50
第四章人、空間、生命63
第一節重視自然環保64
第二節闡揚平權護生71
第三節體現生活佛教83
第五章結論89
參考書目91 |
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| ヒット数 | 120 |
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| 作成日 | 2021.11.09 |
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| 更新日期 | 2023.01.09 |
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