|
|
|
 |
|
|
|
|
|
|
Wandering Saints: Chan Eccentrics in the Art and Culture of Song and Yuan China |
|
|
|
| 著者 |
Paul, Paramita (著)
|
|---|
| 出版年月日 | 2009 |
|---|
| ページ | 310 |
|---|
| 出版者 | Wöhrmann Print Service |
|---|
| 出版地 | Zutphen, Netherlands [聚特芬, 荷蘭] |
|---|
| 資料の種類 | 博碩士論文=Thesis and Dissertation |
|---|
| 言語 | 英文=English |
|---|
| 学位 | 博士 |
|---|
| 学校 | Leiden University |
|---|
| 指導教官 | Maghiel van Crevel |
|---|
| 卒業年 | 2009 |
|---|
| 目次 | Table of Contents
Abbreviations 9
PREFACE 10
CHAPTER ONE
THE CHAN ESTABLISHMENT AND THE CHAN ECCENTRICS
IN THE SONG DYNASTY 13
1. INTRODUCTION 13
Buddhism in China 13
Early Chan 17
Song Chan 22
2. THE SONG CHAN ESTABLISHMENT 26
The Impact of the Song Chan Establishment
on the Later Reception of Chan 26
Song Chan Literature 28
Song Chan Monasteries 39
3.THE CHAN ECCENTRICS 42
The Biographies of Hanshan, Shide and Fenggan 44
The Three Eccentrics as Recluses 48
Hanshan, Shide and Fenggan as Part of the Chan Tradition 57
CHAPTER TWO
PORTRAITS AND PRESENCE: THE ECCENTRICS IN ART 62
1. THE ECCENTRICS IN ART 62
Hanshan and Shide, Attributed to Liang Kai 62
Paintings of Chan Eccentrics: The Corpus 63
Paintings of Chan Eccentrics: Groupings 75
2. ISSUES OF IDENTITY: FROM LIKENESS TO PRESENCE 87
Problems of Likeness in Chinese Portraiture 89
Art and Portraiture in China 94
Mimesis, Representation and Sign 105
3. CHAN ART AND PORTRAITURE RECONSIDERED 116
True Likeness and the Self:
Interpreting the Visual Sign in Chan Commentaries 116
“Chan Art” 118
CHAPTER THREE
ABBOTS AND ARTISTS: ASSESSING ECCENTRIC PAINTING 120
1. ENCOMIA ON ECCENTRICS IN CHAN TEXTS AND PAINTINGS 122
2. CHAN ABBOTS AND THE TRANSMISSION OF ART 126
3. THE “CHAN PAINTERS” 132
Painters of Chan Eccentrics 140
4. LITERATI ON BUDDHISM: IMAGE, TEXT AND CALLIGRAPHY 146
8
5. WORD AND IMAGE IN ENCOMIA ON ECCENTRICS 153
CHAPTER FOUR
THE ECCENTRICS IN VISUAL AND TEXTUAL TRADITIONS 162
1. SCULPTURES AND RUBBINGS: THE ECCENTRICS IN STONE 162
Imperially Sponsored Cave Sites
and the Cave Temples of Feilaifeng 163
Chinese Steles and the Fawang Temple Rubbing 174
2. THE ECCENTRICS IN SONG AND YUAN TEXTS 184
Tales of the Eccentric in Song and Yuan Literature 185
The Daoist Claim 194
CHAPTER FIVE
CHAN, ART AND PRACTICE:
VIEWING AND COLLECTING IMAGES OF WANDERING SAINTS 211
1. INTRODUCTION 211
2. THE HOLY MONK AND THE CHARISMA OF OTHERNESS
IN CHAN MONASTIC CODES 214
The Rules of Purity for the Chan Monastery
and the Holy Monk Pindola 214
The Law and the Lawless: The Holy Monk, Wandering Saints
and the Centrality of the Other in Chan Practice 225
3. ART AND PRACTICE IN THE CHAN ESTABLISHMENT 229
Monastic Gazetteers and Art and Practice in the Jingci Temple 229
Portraits of Historical Abbots, Ox-herding Pictures
and the Wandering Saints: Themes and Their Uses in Chan 237
4. RITUALS OF VIEWING AND COLLECTING IN CHINA AND JAPAN 244
The Art Market in Hangzhou and a Painting of Budai
in the Collection of Wang Zao (1079-1154) 246
Ashikaga Shōguns and Zen Temples:
The Wandering Saints in Muromachi Japan 255
CONCLUSION 259
BIBLIOGRAPHY 263
INDEX 275
LIST OF ILLUSTRATIONS 280
ILLUSTRATIONS 283
Samenvatting 307
Curriculum Vitae 310 |
|---|
| ヒット数 | 174 |
|---|
| 作成日 | 2022.11.04 |
|---|
| 更新日期 | 2022.11.04 |
|---|
 |
Chrome, Firefox, Safari(Mac)での検索をお勧めします。ＩＥではこの検索システムを表示できません。
|
|
|
