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現代中國佛教歌曲在二十世紀前半期的最初發展=The Early Development of the Modern Chinese Buddhist Songs in the First Half of the Twentieth Century |
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| 著者 |
林則雄 (著)=Lin, Tse-hsiung (au.)
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| 出版年月日 | 2014 |
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| ページ | 81 |
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| 出版者 | 佛光大學 |
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| 出版サイト |
https://website.fgu.edu.tw/?locale=zh_tw
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| 出版地 | 宜蘭縣, 臺灣 [I-lan hsien, Taiwan] |
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| 資料の種類 | 博碩士論文=Thesis and Dissertation |
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| 言語 | 英文=English |
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| 学位 | 修士 |
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| 学校 | 佛光大學 |
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| 学部・学科名 | 佛教學系 |
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| 指導教官 | 釋永東= Ven. Shih Yung Dong |
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| 卒業年 | 102 |
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| キーワード | 佛教歌曲=Chinese Buddhist songs; 佛教音樂=Chinese Buddhist music; 中國佛教現代化=Modernization of Chinese Buddhism; 李叔同=Li Shutong; 新生活運動=The New Life movement; 學堂樂歌 |
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| 抄録 | 本論文探討中國佛教歌曲在二十世紀初採用西式風格後的最初現代化發展。作為一種方便法，佛教歌曲藉西方的音樂形式傳達一種佛教的改革渴望，以現在(二十世紀後期與二十一世紀初)的語言來說，是一種對於佛教古老傳統的重新包裝。目前學界對於這樣的佛教音樂現代化議題在總體發展上雖有零星討論，尚不曾針對佛教歌曲的西化過程進行深入研究。本研究有兩項任務：首先是對於我們尚不熟悉之佛教歌曲在二十世紀初的西化歷史過程進行描述，次而針對當時代的政治社會情況進行理解並進一步剖析該音樂型態的政治社會內涵與意義。各章主題分別為：(1) 該佛教音樂形態發展初期在上海的情況 (2)李叔同的佛教學堂樂歌作為西化佛教歌曲前行的意義(3)佛教歌曲透過模仿學堂樂歌所受到西方與日本的影響(4)初期之西化佛教歌曲與當時代政治社會運動間的關係。
This thesis investigates the development of Buddhist songs, a significant part of the project to reform Chinese Buddhism in the early twentieth century. The study of Chinese Buddhist music did not come to the attention of the academic world until recent decades, and the early development of Buddhist songs in particular was rarely taken seriously as an academic topic before this investigation. Influenced by reform ideals, Buddhist songs were reconceived in the Western form and represented the new and progressive image of the newly reformed Buddhism. This thesis presents a historical investigation and a sociopolitical interpretation of the musical form of these songs. With the former, I describe the early development of the Buddhist genre in question, discussing its musical and lyrical styles and their Western and Japanese influences. With the latter, I engage in a reading of the sociopolitical meanings of the Buddhist musical form developed during a time of dramatic change in China. Topics of the individual chapters include (1) the general development of Chinese Buddhist songs in Shanghai in the beginning of the twentieth century; (2) the Buddhist-themed school songs of Li Shutong (李叔同) as the forerunners of the Buddhist genre; (3) Western and Japanese influences on Buddhist songs; and (4) Buddhist songs and the contemporary sociopolitical movements of the 1930s and 40s.
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| 目次 | ABSTRACT i
DICTATION ii
ACKNOWLEDGEMENT iii
CONTENTS iv
LIST OF FIGURES vi
INTRODUCTION 1
CHAPTER 1. CHINESE BUDDHIST MUSIC IN THE EARLY TWENTIETH CENTURY 5
A Historical Background 5
Educational Reform, Chinese School Songs, and Chinese Buddhist Songs 8
The Development of Buddhist Music in the Early Twentieth Century Shanghai 10
Conclusion 22
CHAPTER 2. LI SHUTONG’S BUDDHIST-THEMED SCHOOL SONGS AND THEIR IDEALS 24
Introduction 24
Li Shutong’s School Songs and the Japanese Influence 25
Influences from Chinese Literary Tradition and Chinese Buddhism 28
Case Study of “Lamentation in Autumn” 34
Case Study of “Seeing off a Friend” 36
Conclusion 37
CHAPTER 3. BUDDHIST SONGS AND THEIR WESTERN/JAPANESE INFLUENCES 39
Introduction 39
School Song, Buddhist Song, and the Compositional Practice 40
A Case Study of two Songs by Li Shutong 42
Conclusion 49
CHAPTER 4. THE NEW LIFE MOVEMENT AND BUDDHIST SONGS IN THE 1930s AND 1940s 51
Introduction 51
A Historical Background 51
Buddhist Schools and Buddhist Songs 54
Buddhist Songs and the Sociopolitical Movements 56
Conclusion 59
CONCLUSION 61
BIBLIGRAPHY 64
LIST of FIGURES
Figure 1.1: Songs of Serenity 15
Figure 1.2: Sounds of Wonder 16
Figure 1.3: “Song of Peaceful Retirement,” (first of two pages) 17
Figure 1.4: Sounds of Ocean Waves 19
Figure 3.1: “Dreaming of Home and Mother” (Ordway 2001, 237) 48
Figure 3.2: “Ryoshu” by Indo Kyukei ([1907] 1908, 33–34) 48
Figure 3.3: Li Shu’tong’s “Seeing off a Friend” 49
Figure 4.1: Student choir in rehearsal, Jue Shi School in Shantou, Guangdong 55
Figure 4.2: Songs on New Life 58 |
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| ヒット数 | 140 |
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| 作成日 | 2023.04.14 |
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| 更新日期 | 2023.04.14 |
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