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Surface Tension: Kuki Shūzō's Iki As A Posture of Resignation And Resistance |
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| 著者 |
Curley, Melissa (著)
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| 出版年月日 | 2003.01 |
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| ページ | 102 |
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| 出版者 | McGill University |
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| 出版サイト |
https://www.mcgill.ca/
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| 出版地 | Montreal, Canada [蒙特婁, 加拿大] |
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| 資料の種類 | 博碩士論文=Thesis and Dissertation |
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| 言語 | 英文=English |
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| 学位 | 修士 |
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| 学校 | McGill University |
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| 学部・学科名 | Religious Studies |
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| 指導教官 | G. Victor Hori |
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| 抄録 | Kuki Shuzo was a philosopher at the margins of the Kyoto School; his most significant contribution was the short work 'Iki' no kozo, in which he located Japanese uniqueness in the Edo demimonde aesthetic of iki, style or chic. This thesis surveys the major Western critiques of Kuki's aesthetics, focussing particularly on the work done by Peter Dale, Leslie Pincus, and Harry Harootunian revealing Kuki's borrowing from European modernism, especially fascist modernism, and attempts to uncover an alternative genealogy for Kuki in Japanese Pure Land thought. It finally asserts that Kuki's valorization of resignation, and his own retreat into the aesthetic, can be read as a form of resistance to Japanese nationalism. |
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| ヒット数 | 357 |
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| 作成日 | 2023.04.19 |
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| 更新日期 | 2023.04.19 |
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