 |
|
|
|
|
|
|
The Inner Gaze in Artistic Practice |
|
|
|
| 著者 |
Safavi, Safoura (著)
|
|---|
| 出版年月日 | 2021.06.11 |
|---|
| ページ | 43 |
|---|
| 出版者 | Stockholm University of the Arts |
|---|
| 出版サイト |
https://www.uniarts.se/
|
|---|
| 出版地 | Stockholm, Sweden [斯德哥爾摩, 瑞典] |
|---|
| 資料の種類 | 博碩士論文=Thesis and Dissertation |
|---|
| 言語 | 英文=English |
|---|
| 学位 | 修士 |
|---|
| 学校 | Stockholm University of the Arts |
|---|
| 学部・学科名 | Performing Arts and Media |
|---|
| 指導教官 | Vanja Hamidi Isacson; Antti Revonsuo |
|---|
| 卒業年 | 2021 |
|---|
| キーワード | inner seeing; double vision; altered states of consciousness; music; hypnosis; consciousness science; inner realms; communication |
|---|
| 抄録 | ”A finger pointing at the moon is not the moon...” -Buddhist Quote
”...but it can point you in the right direction.” -Charles Tart, American psychologist
In this Master’s Thesis I will be presenting the idea of an Inner Gaze as an inherent witnessing system used in artistic practice. I will be mirroring my own practice as a Musician/Artist/Sound-Designer in the teachings of Hypnosis and The Science of Consciousness. Further I will share and analyze the collected data gathered from interviews with artists from different artistic fields, in order to gain a better understanding of how they experience their creative and performing minds. Is there any coherence in how we experience creativity? How common are the sensations of altered states of consciousness among artists? Can other artists relate to the idea of an inner gaze? Is this something we long to further explore and develop and would such a concept be beneficial for the artist and its works? |
|---|
| ヒット数 | 215 |
|---|
| 作成日 | 2023.05.03 |
|---|
| 更新日期 | 2023.07.05 |
|---|
 |
Chrome, Firefox, Safari(Mac)での検索をお勧めします。ＩＥではこの検索システムを表示できません。
|
