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Religion and the Sacred in the Works of Haruki Murakami
著者 Bates, David Christopher (著)
出版年月日2013.07
ページ49
出版者University of Hong Kong
出版サイト https://www.hku.hk/
出版地香港, 中國 [Hong Kong, China]
資料の種類博碩士論文=Thesis and Dissertation
言語英文=English
学位修士
学校University of Hong Kong
学部・学科名English Studies
卒業年2013
抄録This dissertation demonstrates how the Japanese novelist Haruki Murakami infuses religious concepts and sacred motifs into his works, generally through surreal events and otherworldly encounters that defy purely realist interpretations. The literary use of these images and themes encourage the author’s unique stylistic mood as well as subsequent magic realist readings, where everyday occurrences are interjected by providential asides and often overt references to the supernatural. This study of Murakami also helps to demonstrate how his postmodern works might be viewed in light of widely accepted narratives from varying religions. Certain trends are established in Murakami, especially via themes like isolation and loneliness, which help replace the traditional search for God with an internal quest for meaning through investigations of identity. This is especially accomplished using the Japanese I-Novel form. The addition of dreams and alternative realities, another common topic, represent other worlds in his fiction that mask Heaven and Hell. The sacred is also habitually linked with the profane and cultish behaviour, casting traditional religious concepts in a negative light. Throughout his career, Murakami has often incorporated a range of ideas from all manner of religious systems, specifically Buddhism, Christianity, and folk mythology. This dissertation, then, addresses a range of critical views on Murakami's fiction, especially considering thematic shifts in later works like 1Q84, which feature concepts of religion and the sacred in a more blatant way.
DOI10.5353/th_b5091008
ヒット数115
作成日2023.05.04
更新日期2023.07.20



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