|
|
|
 |
|
|
|
|
|
|
Practice as a Work of Art: A Study of "Gabyō" in Dōgen's Buddhist Philosophy |
|
|
|
| 著者 |
Dunlap, Rika (著)
|
|---|
| 掲載誌 |
Philosophy East and West
|
|---|
| 巻号 | v.73 n.1 |
|---|
| 出版年月日 | 2023 |
|---|
| ページ | 45 - 65 |
|---|
| 出版者 | University of Hawaii Press |
|---|
| 出版サイト |
https://uhpress.hawaii.edu/
|
|---|
| 出版地 | Honolulu, HI, US [檀香山, 夏威夷州, 美國] |
|---|
| 資料の種類 | 期刊論文=Journal Article |
|---|
| 言語 | 英文=English |
|---|
| ノート | Rika Dunlap, Department of Philosophy, Mount St. Mary’s University. |
|---|
| 抄録 | This article conducts a close textual analysis of "A Painting of a Rice Cake (Gabyō)," a key fascicle in the Shōbōgenzō that reveals the significance of artistic creation as a metaphor for realizational practice. By analyzing the multiple meanings of "gabyō," it is shown that artistic creation can clarify the nonduality of practice and enlightenment in Dōgen's thought, inasmuch as enlightenment is a constant practice as if making an evanescent and cocreative painting of enlightenment with the entire world as Buddha-nature. For Dōgen, enlightenment involves a deeply personal attunement to and a concrete actualization of the dharma that is not reducible to the purely theoretical understanding of Buddhist texts, and the metaphor of "painting rice cakes" demonstrates the importance of expressive activities in manifesting one's understanding of the dharma. |
|---|
| 目次 | The Multiple Meanings of Gabyō 46
From Seeing the Painting to Actually Painting: Gabyō as the Expressive Activity of Enlightenment 52
Conclusion 60
Notes 61
References 65 |
|---|
| ISSN | 00318221 (P); 15291898 (E) |
|---|
| DOI | https://doi.org/10.1353/pew.2023.0002 |
|---|
| ヒット数 | 169 |
|---|
| 作成日 | 2023.05.31 |
|---|
| 更新日期 | 2023.05.31 |
|---|
 |
Chrome, Firefox, Safari(Mac)での検索をお勧めします。ＩＥではこの検索システムを表示できません。
|
|
|
