Argentinean Literature, 1900-1999; Cortazar, Julio; Treatment of Reality; Sources in 禪宗=Zen Buddhism=Zazen Buddhism; Keenan, Richard Matthew
摘要
Introduction. The following is an attempt to ascertain how much of Julio Cortazar's anti-rational vision of reality may be an affirmation of a specific Oriental view of existence, namely, Zen Buddhism, rather than a rebellion against traditional Western logic.
Chapter One. Definition and Description of Zen Buddhism. Zen Buddhism is a way of liberation that transcends any one definition. Like life itself, it can only be experienced. Nevertheless, one may list some definite qualities of Zen liberation that demonstrate its uniqueness. An analysis of these qualities are presented in this chapter.
Chapter Two. Zen Buddhist Techniques and Practices. An analysis of thirteen techniques and practices that are fundamental to Zen is presented.
Chapter Three. Julio Cortazar, the pursuer 1949-1964. An analysis of Los reyes (1949), Bestiario (1951), Final del juego (1956 and 1964) and Las armas secretas (1959) reveals a similarity between Cortazar's vision of reality and Zen's.
Chapter Four. Julio Cortazar, the master 1960-1969. Cortazar's novels of the sixties are analyzed (Los premios, Rayuela, and 62: Modelo para armar) along with La vuelta al d(')ia en ochenta mundos, Historias de cronopios y de famas and Todos los fuegos el fuego. Direct influence of Zen Buddhism is present in these works.
Chapter Five. Julio Cortazar, the chameleon 1970's. An analysis of Prosa del observatorio, Libro de Manuel, and Fantomas contra los vampiros multinacionales demonstrate Cortazar's continued Zen-like quest to discover new paths to enlightenment.
Conclusion. Julio Cortazar's familiarity with Zen writings has played a significant role in shaping his vision and interpretation of reality.
