In the past, the replica publication of documents from the collection has always been one of the items published by domestic and foreign collection units. Even though there are numerous cases of documentary replica in the collections, relatively few studies have been conducted to investigate the relevant issues. Replica as a book publication is a special, storytelling application. Less mentioned and in-depth in previous studies. Therefore, this study focuses on the replica of Buddhist classics as the core of the study. To explore the experience of replica Buddhist classics in the collections of National Central Library and National Palace Museum, the possibility of developing cultural and creative ideas for other cultural collections. The study used documentary analysis to collate relevant data and collate, and semi-structured interviews with relevant reproducers, includes collection units and publication units, to summarize the conclusions of this study: First, The lack of authorization for replica of religious literature in some of Taiwan's repositories has resulted in a small scope of publication. Second, Replica books can promote the visibility of Buddhist classics and create their unique period and character. Third, Replica protects the integrity of the original and promotes the increase and advancement of cultural transmission paths. Fourth, There is no consistency in the replica process among the various collection units, which may lead to misunderstanding of the originals by the public. According to the research findings, the following recommendations were proposed： First, Establish authorization Method to protect mutual Benefits and increase cultural diversity. Second, It allows the community to participate in the process of replica of Buddhist classics and indirectly expands the public's knowledge and understanding of replica. Third, Buddhist Classics replica and published can be used in the same way as the previous production. Fourth, Explicitly note the changes to the replica book.
