Quanzhou Kaiyuan Temple is a typical carrier of Quanzhou's multi-religious integration. Therefore, this study uses Quanzhou Kaiyuan Temple’s multi-religious and cultural fusion images as the research object, uses historical research methods to collect and analyze literature, and combines field investigation methods to conduct field investigations and collect Quanzhou Image-related data of the region’s multi-religious cultures, through field investigations, questionnaires, expert interviews, and semantic testing, to determine the image of figures in the east and west pagodas in Kaiyuan Temple, the architectural components of the corridor of the Daxiong Hall: Jialing Pinga, sixteen side pillars, and The four objects of the sphinx on the foundation stone of the main hall are studied in depth, and a symbolic system of multiple religious images of the Kaiyuan Temple in Quanzhou is constructed. From the perspective of iconology, it explores the three-level meaning of the image of the fusion of multiple religions, uses iconology to explain the meaning of the symbols of Quanzhou Kaiyuan Temple, and uses semiotics to analyze the integration of the symbols of Quanzhou Kaiyuan Temple’s multiple religions. Explore the multi-religious culture of Quanzhou Kaiyuan Temple: the integration of Buddhism, Hinduism, ancient Christianity and traditional Chinese culture, and use semiotic genealogical axis and adjacent axis theory to propose a style of multi-religious cultural integration to analyze the relationship between symbols, reflecting the multi-religion in Quanzhou The unique mix and match style of cultural fusion. Analyzing the artistic characteristics of multi-religious cultures, it is proposed that the representative architectural components in Kaiyuan Temple were carved by ancient Chinese artists, and the image patterns formed by the integration of multiple cultures. In-depth analysis of the multi-religious and cultural integration of Quanzhou Kaiyuan Temple is a fusion of Buddhism, Hinduism, ancient Christianity and traditional Chinese culture, mainly in the east and west pagodas in the temple and the sixteen side pillars, flying sky and sphinx of the temple On the surface. The results of this research are as below. I、Deeply analyze the connotation of the image of the East and West Pagodas, and put forward:（1）The 160 sculptures of figures on the body of the east and west pagodas and the 39 pictures of Buddha in the east pagoda are the distinctive features of Song Dynasty paintings: integration into secular life. （2） The West Tower divides 80 figures into three vehicles. The first vehicle : Arhat, the elder, and the monk; the second vehicle :
