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Tantric Symbolism in Vajrayogini Imagery
作者 Li, Gregory Kenneth (著)=李群雄 (au.)
出版日期2010.01
頁次84
出版者The University of Hong Kong
出版者網址 https://www.hku.hk/
出版地Hong Kong [香港]
資料類型博碩士論文=Thesis and Dissertation
使用語言英文=English
學位類別碩士
校院名稱University of Hong Kong
系所名稱Buddhist Studies
畢業年度2010
摘要Symbolism in tantric iconography is complex. It is possible for a single image to contain all elements of important Buddhist teachings. This is a methodology to bundle tantric imagery into a single motif, making it possible to present an entire system of teachings within one image or painting. The detailed imagery of tantric deities’ color, movement, expressions, hand gestures, leg positions, ornaments, garments, weapons and implements are intricate forms of symbolism in tantric iconography. Tantric symbolism is not a haphazard or random collection of images. This unique and creative iconography is a careful, deliberate and prescribed system of deep, and sometimes hidden, meaning meant to convey visually and emotionally both fundamental and advanced principles of Buddhism and tantric practice. The specific combinations of symbolic elements are meant to aid the tantric practitioner in his or her quest for wisdom, realization and ultimate liberation. Tantric symbolism and imagery are vital tools in the path to enlightenment. In Tibetan Buddhism, Vajrayogini is the pre-eminent female deity. She embodies the tantric feminine aspect of supreme wisdom and the realization of emptiness. Vajrayogini is a key figure in many lineages of Tibetan Buddhism and it is valuable and fascinating to explore, understand and interpret the meaning and symbolism behind Vajrayogini’s fantastic and beautiful imagery. This paper will explore the meaning of the imagery depicted in Vajrayogini iconography. Both Hindu and Buddhist tantric practitioners utilize Vajrayogini teachings, however this paper will examine Vajrayogini imagery primarily from the perspective of Tibetan Buddhism.
DOI10.5353/th_b4516622
點閱次數338
建檔日期2023.02.07
更新日期2023.02.07










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