The Buddhism stone tablet belongs to one type of religion dissemination. We can know Buddhist art culture affected by politics, nationality, culture, community from Buddhism stone tablet research. When Buddhism was introduced to China in the Wei-Jin and the Northern and Southern Dynasties (220-589). Buddhism organization developed rapidly. Buddhist monks increased over eighty thousand peoples and over five hundred temples in the capital in Southern Dynasties of Liang Dynasty (502-557). Emperors of the Northern Dynasties (386-581) were conveyed the Buddha's teachings and used the religion as a system for unifying their rule, built stone grottoes, Buddhism statues and tower. The mass production of artistic value in Buddhism stone inscriptions and wall Paintings The Buddhism stone tablet often decorated many kinds of patterns, such as human figures, flowers, birds, animals, Buddha, geometric schemes and others of pattern. Some decorative patterns of Buddhism, originated from India and spread eastward through ancient Silk Road of China, has been selected and improved by Chinese native culture. We can find pattern design and composition of decorative patterns have regularity from assorts or arrange in Buddha and decorative patterns. It takes on development of history and the pluralistic feature of Buddhist art. The research emphasis is choosing from decorative patterns on Buddhism stone tablet of having feasibility research. The areas of research limit in the Wei-Jin and the Northern and Southern Dynasties (220-589), with develop rapidly of Buddhism. Searching, coordinating and analyzing of rich literature to do research of decorative patterns on Buddhism stone tablet, with characteristic and influence upon later generations. The major findings of this study are: (1) The decorative patterns of India and Western Regions were changed greatly by Chinese native culture. (2) The decorative patterns of India combination of Chinese thought and traditional decorative patterns. (3) Affected by style of traditional Chinese painting. (4) Causes of the prosperity of the rulers esteemed and society organizations high on Buddha statue activities. (5) Due to differences in Chinese Buddhism beliefs can produce differences Buddha statue and decorative patterns. (6) The decorative patterns are confined in standard of Buddhist sutra. (7) Make good use of cape corner patterns to fill in triangle side of Buddhism stone tablet. (8) Some of decorative patterns are no longer used and gradual change in style. (9) The Buddhism stone tablet art in the Wei-Jin and the Northern and Southern Dynasties become to the major history of Chinese art. (10) To provide the creation and plenty foundation for later dynasty of decorative patterns on Buddhism stone tablet.
