佛說無常經=The Sutra On Impermanence; 成住壞空=becoming stabilization, degeneration, and emptiness; 無常=impermanence; 四相=four physical attributes; 文化設計應用=cultural design application
摘要
綜觀現今的文創產業，其新興進步已經成為當今社會的重要的競爭力項目之一，而在這個全球化的年代，近年隨著中國大陸快速的發展，東方設計風格倍受重視與發揚。在中國的文化之中，佛教的文化具有舉足輕重的地位。佛教中，較廣為流傳的《佛說無常經》，所描述這個世界的一切是暫時的狀態稱之為「無常」，從物質層面有著成、住、壞、空的四個階段，其無常的本質為緣起性空，其所說的意涵並讓心境達到「不執著」的另一個層次。所以本研究遂以《佛說無常經》為題材，研究其中所講述的無常，透過專家訪談及文獻分析，調查現今已有的佛教文化元素中，將其無常的概念，設計轉化成具體的產品，創造出嶄新的商品設計風格。 本研究探討《佛說無常經》相關的文獻與訪談，制定出本研究的設計方法，分別為「a.變異」、「b.二元」及「c.逝去」三個設計方法，更以實務設計之方式完成了「四相」與「寂滅」兩組燈具，以實踐「無常之理」的精神。 Overview of the current cultural and creative industry, its emerging progress has become one of the important competitiveness projects of today's society. In this era of globalization, with the rapid development of mainland China in recent years, the oriental design style has been paid more attention and carried forward. Among Chinese culture, the culture of Buddhism has pivotal position. In Buddhism, " The Sutra On Impermanence " has become relatively widespread . Everything described in this world is a temporary state called "Impermanence" From the material level, there are four stages of becoming, stabilization, degeneration, and emptiness. The essence of impermanence is dependent-originated emptiness. The meaning it says makes the state of mind reach another level of "non-attachment." Therefore, this research uses " The Sutra On Impermanence " as the theme to study the impermanence described in it. Through expert interviews and document analysis, this research investigates the existing Buddhist cultural elements, transforms the concept and design of impermanence into specific products, and creates a new product design style. This research explores the literature and interviews related to " The Sutra On Impermanence ", and formulates the design methods of this research, which are "a. Variation", "b. Binary" and "c. Passing away". The practical design method has completed the "four physical attributes " and " Nirvana " two sets of lamps to practice the spirit of "Impermanence".
