The research " The Research of Creativity in Buddhist Arhats – Chen Yen Ting’s Brush Painting " started from the Buddhist art on the creation of figures, learning from abundant ancient and modern materials, contrast with the practice of sketching, and create media with traditional oriental meaning such as ink and brush. Elements of Buddhist related paintings, whether it is the grasp of religious doctrines or the conditions of picture processing. The creation content can be divided into four series including: "Cloud Series", "Scripture Series", "Conversion Series", "Animal and Plant Series". The structure of the thesis is divided into five chapters. The first chapter is the introduction, the second chapter is "Exploration of Arhats Painting", the third chapter is "The Idea and Practice of Arhats Painting Creation", the fourth chapter is "Analysis of Arhats Painting Works", and the fifth chapter is conclusion.
