Rika Dunlap, Department of Philosophy, Mount St. Mary’s University.
摘要
This article conducts a close textual analysis of "A Painting of a Rice Cake (Gabyō)," a key fascicle in the Shōbōgenzō that reveals the significance of artistic creation as a metaphor for realizational practice. By analyzing the multiple meanings of "gabyō," it is shown that artistic creation can clarify the nonduality of practice and enlightenment in Dōgen's thought, inasmuch as enlightenment is a constant practice as if making an evanescent and cocreative painting of enlightenment with the entire world as Buddha-nature. For Dōgen, enlightenment involves a deeply personal attunement to and a concrete actualization of the dharma that is not reducible to the purely theoretical understanding of Buddhist texts, and the metaphor of "painting rice cakes" demonstrates the importance of expressive activities in manifesting one's understanding of the dharma.
目次
The Multiple Meanings of Gabyō 46 From Seeing the Painting to Actually Painting: Gabyō as the Expressive Activity of Enlightenment 52 Conclusion 60 Notes 61 References 65
