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10
bibliography, 5 full-text accessible.
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ID： |
2118 |
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Alternative Names： |
Brancaccio, Pia |
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Fulltext |
Title |
Author |
Source |
Date |
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Art and Performance in the Buddhist Visual Narratives at Bhārhut |
Brancaccio, Pia (著) |
Journal of Indian Philosophy |
2022.09 |
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Book Review: Sarnath: A Critical History of the Place Where Buddhism Began by Frederick M. Asher |
Brancaccio, Pia (評論) |
The Journal of Asian Studies |
2021.08 |
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Cave architecture of India |
Brancaccio, Pia (著); Selin, H (編) |
Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures |
2014 |
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Early historic Junnar: archaeology and art |
Shinde, Vasant (著); Brancaccio, Pia (編) |
Living Rock: Buddhist, Hindu and Jain Cave Temples in the Western Deccan |
2013.06 |
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Gandhāran Buddhism: Archaeology, Art, and Texts |
Behrendt, Kurt Allen (編); Brancaccio, Pia (編) |
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2006 |
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Gandharan Buddhism: Archaeology, Art, Texts |
Behrendt, Kurt Allen; Brancaccio, Pia |
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2006 |
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the Buddha and the Naked Ascetics in Gandharan Art A New Interpretation |
Brancaccio, P. |
East and West |
1991.12 |
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The Buddhist Caves at Aurangabad: Transformations in Art and Religion (Brill's Indological Library) |
Brancaccio, Pia (著); Bronkhorst, Johannes (編) |
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2011 |
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The Buddhist Caves in Western Deccan, India, between the Fifth and Sixth Centuries |
Brancaccio, Pia (著) |
Hualin International Journal of Buddhist Studies |
2018.10 |
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The Silk Road and the Cotton Road: Buddhist art and practice between Central Asia and the Deccan |
Brancaccio, Pia (著); Genito, B (編); Caterina, L (編) |
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2017 |
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