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海棠山摩崖造像與阜新地區清代密教特徵
Author 李翎 (著)=Lee, Ling (au.)
Source 中國藏學=China Tibetology
Volumen.2
Date1999
Pages43 - 55
Publisher中國藏學出版社
Publisher Url http://www.zytzb.org.cn/cbs/zx/index.htm
Location北京, 中國 [Beijing, China]
Content type期刊論文=Journal Article
Language中文=Chinese
Note出處:中國期刊網-文史哲輯專欄目錄
Keyword造像=To Make an Image; 金剛乘=真言教=瑜伽宗=坦特羅佛教=密教=密宗=Tantric Buddhism=Esoteric Buddhism=Vajrayana Buddhism; 摩崖造像; 佛教造像; 中原化
Abstract佛教以其造像眾多而稱「像教」,由漢代初傳至晉,造像尚具有濃郁的犍陀羅的風格。南北朝出現具有漢族士大夫瘦骨清相、褒衣博帶特點的造像,及至唐代,造像的結構更趨於合理生動,佛、菩薩神態莊嚴、形象飽滿、特徵中原化,體現大唐活潑自信的審美情懷,故唐代佛教造像有。菩薩如宮娃」之喻。同時由於密教的流行,神奇而猙獰的密教造像也開始出現。元明清三朝是密教盛行時期.
ISSN1002557X (P)
Categories考古; 佛教圖像; 雕塑造像
Dynasty清代
Regions遼寧(阜新海棠山石窟)
Hits489
Created date2005.04.15
Modified date2019.10.18



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