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佛光普照下的雪域藏族美術
Author 康・格桑益希
Source 中國的美術研究
Volumev.2001 n.2
Date2001
Content type期刊論文=Journal Article
Language中文=Chinese
Keyword藏傳佛教美術; 藏式畫風; 多元一體; 藏族; 美術的當代性
Abstract藏族美術作為藏族文明中的主要部分，淵源流長，它不僅有獨自發祥孕育、發展演繹的清晰脈絡，而且以其自成體系的精湛形式，從一個側面構建著中華民族尤其是東方美術的文化傳統。在獨特的地域性、鮮明的民族性、神聖的宗教性中還貫穿著悠久的歷史性，20世紀的藏族美術在世界文化的整體格局中更為鮮明地突出著藏民族特有的審美特徵和創造優勢，並與中華民族的文化藝術趨於共同的發展。
ISSN04616855
Hits172
Created date2005.04.29
Modified date2020.06.23



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