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敦煌千佛圖像的符號學分析=A Semiotic Analysis of The Thousand-Buddha Images At Mogao Grottoes of Dunhuang |
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| Author |
梁曉鵬
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.2 (總號=n.96) |
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| Date | 2006.04 |
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| Pages | 11 - 15 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Keyword | 千佛; 佛教圖像; 符號學 |
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| Abstract | 本文從符號學的視角，嘗試分析敦煌石窟中千佛造像的符號性質、類型、結構和特點，探討圖像對語言的依存關係以及從語言文字到圖像的一些翻譯規則。
Thousand-Buddha,usually refer to Buddhas of the past,the present,and the future in the ten directions,particularly Buddha of the present existence,is a component of the faith in Mahayana Buddhism.Scriptures with which the idea is associated are in number and were turned into Chinese by different translators.Artistic representations in the Dunhuang Grottoes are many too,and are of various types and forms,encompassing the entire 1000 years’ history of Grotto construction in this location,and they constitute one major component of the Buddhist art in Dunhuang.The current paper attempted to analyze the phenomenon from the semiotic perspective their nature as signs and their classification,structure,and features and to explore their dependence on language and some rules of translation from verbal to pictorial expressions. |
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| ISSN | 10004106 (P) |
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| Categories | 石窟; 佛教圖像 |
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| Dynasty | 中國-無 |
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| Regions | 甘肅(敦煌) |
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| Hits | 628 |
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| Created date | 2008.04.25 |
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| Modified date | 2018.04.12 |
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