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中唐以後敦煌地藏圖像考察=Iconography Study of Ksitigarbha Bodhisattva at Dunhuang after The Mid-Tang Dynasty |
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Author |
王惠民
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Source |
敦煌研究=Dunhuang Research
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Volume | n.1 (總號=n.101) |
Date | 2007.02 |
Pages | 24 - 33 |
Publisher | 敦煌研究編輯部 |
Publisher Url |
http://www.dha.ac.cn/
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Location | 蘭州, 中國 [Lanzhou, China] |
Content type | 期刊論文=Journal Article |
Language | 中文=Chinese |
Keyword | 地藏; 地藏圖像; 十王圖像; 道明和尚 |
Abstract | 地藏信仰與地藏圖像是佛教思想與佛教美術研究的重要內容,敦煌畫中有初唐至宋、西夏時期的地藏圖像約140幅,本文主要對中唐以後敦煌地藏圖像進行考察。
The belief in Ksitigarbha Bodhisattva and the iconography of Ksitigarbha Bodhisattva are the key link not only in the study of Chinese Buddhist ideological inclination but study of Buddhist art as well. Beginning from the Early-Tang dynasty till the Song Dynasty and The West Xia Dynasty,there are more than 140 pieces of paintings of Ksitigarbha Bodhisattva either on the wall or on paper or silk found in Dunhuang.This article tries to making a careful study of iconography of Ksitigarbha Bodhi- sattva found in Dunhuang,especially on the long historic period after the Mid-Tang Dynasty by a way of combining pictorial art include both murals and paintings on paper or silk with a textual research,in order to demonstrate a general picture of The belief of Ksitigarbha Bodhisattva in Dunhuang. |
ISSN | 10004106 (P) |
Dynasty | 西夏 |
Regions | 甘肅(敦煌莫高窟) |
Hits | 927 |
Created date | 2008.05.16 |
Modified date | 2018.04.16 |

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