|
|
|
|
|
|
|
|
佛教對我國傳統藝術的影響及作用=The Influence and Function of Buddhism to the Traditional Art of Our Country |
|
|
|
Author |
徐俊東 (著)=Xu, Jun-dong (au.)
|
Source |
南陽師範學院學報=Journal of Nanyang Normal University
|
Volume | v.5 n.7 |
Date | 2006.07 |
Pages | 87 - 89 |
Publisher | 南陽師範學院 |
Publisher Url |
http://www.nynu.edu.cn/
|
Location | 南陽, 中國 [Nanyang, China] |
Content type | 期刊論文=Journal Article |
Language | 中文=Chinese |
Note | 作者單位:德化陶瓷職業技術學院 |
Keyword | 宗教=religion; 佛教=Buddhism; 文化=culture; 藝術=art; 石窟=stone cave; 雕像=statue; 繪畫=painting |
Abstract | 宗教作為一種文化現象,它的歷史幾乎與人類文化史一樣久遠。自古以來,佛教因為具有深奧的經教的歷史文化,不僅豐富了傳統藝術的內涵,而且還深深地影響著我們華夏民族文化及各個方面。從魏晉、南北朝到隋唐至宋元,在敦煌、龍門、雲岡等地的石窟中,先人們創造了輝煌的“佛教藝術”和經典的集建築、雕塑、繪畫為一體的石窟藝術傑作,人們在其中產生強烈的情感上共鳴和震撼。“宗教藝術”是遊離於此岸性與彼岸性之間,介於宗教與藝術之間的精神產品,兼而具有宗教與藝術的兩種因素。
Religion is a kind of cultural phenomenon, its history almost and mankind the cultural history is similar and long ago. From time immemorial, Buddhism because of haring abstruse of history culture that pass through teach, not only enriched the content of traditional art, but also still influence our China race culture and each aspect... profoundly. From Wei Jin, South and North Dynasty to Sui Tang, in the stone cave of the grounds, such as Dunhuang and Longmen, etc, our ancestors created glorious "the Buddhism art" and classic to gather a building, carve, the painting is the stone cave art masterpiece of the shore and the other shore, lying between the religion and the art of spirit product, and but have a religion and art of two sow the cause a vegetable. |
Table of contents | 一 87 二 88 (一)佛教(宗教)促使藝術突破了教義上的侷限從而得以廣闊的發展 88 (二)佛教(宗教)為藝術提供了表現題材 88 (三)佛教(宗教)往往是藝術生產的組織者 88 (四)藝術與宗教在認識和掌握世界的方式上有某些共同之處 89 (五)宗教對藝術有促進、肯定的一面,又有阻礙、不利的一面 89 |
ISSN | 16716132 (P) |
Hits | 579 |
Created date | 2008.07.18 |
Modified date | 2020.04.07 |
|
Best viewed with Chrome, Firefox, Safari(Mac) but not supported IE
|
|
|