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佛教文化對包公文學的影響=Influence of Buddhist Culture on Baogong Literature |
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李永平=Li, Yong-ping
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| Source |
陝西師範大學學報（哲學社會科學版）=Journal of Shanxi Normal University (Philosophy and Social Sciences edition)
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| Volume | n.1 |
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| Date | 2008 |
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| Pages | 51 - 54 |
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| Publisher | 陜西師範大學 |
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| Publisher Url |
http://www.snnu.edu.cn/
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| Location | 西安, 中國 [Xi'an, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Keyword | 佛教文化=Buddhist culture; 明清戲劇=drama in the Ming and the Qing Dynasty; 明清小說=fiction in the Ming and the Qing Dynasty; 包公文學=Baogong literature |
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| Abstract | 明清時期,佛教教義逐漸深入中國社會底層,成為公眾的倫理規範。受其影響,小說、戲劇中的包公形象塑造明顯地打上了佛教的痕跡。首先,包公被塑造成佛教的"閻羅王"最為流行。其次,受佛教倫理的"因果律"的影響,包公故事裏存在大量關於"報應"的敘事,而且很多作品往往伴有相應的道德"勸誡"意圖。佛教因果報應說強調善得善報,惡得惡報,來世的命運由今世的善惡行為決定,這就結合人們的性命大事、切身利益,引導人們去惡從善,從而推動人們的道德意識的自覺和個人修養的完善。受佛教拯救故事的影響,包公故事有了遊歷冥府的故事。無論是遊歷冥府所見各種陰森恐怖的"果報",還是親見閻羅王冥府判案,其實質都暗含著"天理昭彰"的內容,只是地獄審判和佛教的修行觀、儒家的天命觀相聯系,更能表現出正義的超驗屬性。
During the Ming and the Qing Dynasty,the Buddhist doctrine was gradually popularized and became the public norm of society.Under the influence of this social trend,the image of Baogong both in fiction and in plays was obviously trimmed by Buddhism.The earliest attempt of this practice was to re-portray Baogong into the King of Hell,a most popular Buddhist image.Then under the influence of the Buddhist ethic of "law of cause and effect",stories of Baogong involved large quantities of "retributive" narration usually with attempt of moral“admonishment”. Again , influenced by Buddhist salvaging stories , a t ravel to the hell was added to Baogong’s stories. Baogong’s witness of various terrifying retributions and the King of Hell’s trial of cases was intended to imply the manifestation of“heavenly law”. However , it expressed the super empirical essence of justice more convincingly for the trial in the hell was associated with Buddhist view of practice and Confucianist view of destiny. |
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| ISSN | 16724283 |
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| Hits | 483 |
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| Created date | 2008.11.10 |
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| Modified date | 2008.11.10 |
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