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莫高窟第275窟故事畫與主尊造像關係新探=A New Approaching to the Relationship Between the Narrative Painting and the Main Image of Cave 275 |
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張元林 (著)=Zhang, Yuan-lin (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.4 (總號=n.70) |
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| Date | 2001.11 |
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| Pages | 56 - 65,182 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：敦煌研究院考古研究所 |
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| Keyword | 第275窟 ; 故事畫; 主尊造像; 關系; 新探 |
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| Abstract | 本文通過對幾部重要的漢譯彌勒經典內容的分析，並結合有關的造像實例，認為第２７５窟南、北壁上所繪的佛教故事畫是分別借用了釋迦牟尼的佛傳和本生來表現彌勒的今生傳記和前生事跡的，並認為它們也與當時彌勒信仰中的傳法思想有關。
This article examines several important Chinese versions of Maitreya Sutra and analyzes them in contents,compiled with several relative sculpture examples in exist and draws a conclusion that what present in narrative painting s of Sakyamuni life story and Jataka on the Northern and the Southern walls of c ave 275 are actually expressed the life of Maitreya in borrowed form of Sakyamun i＇s life story and Jataka.The fact that the sculpture and painting of this cave is Maitreya has also refered a fact that the motif of this cave had some relati onship with the idea of Dissemination of Preaching the Law in Maitreya Belief at that time.
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| Table of contents | 引子
一.與本論有關的幾點說明
二.論題的提出
三.援釋迦入彌勒是彌勒信仰發展的必然要求
四.援釋迦入彌勒是第275窟信仰主題的客觀需要
五.結語 |
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| ISSN | 10004106 (P) |
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| Hits | 506 |
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| Created date | 2009.03.06 |
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| Modified date | 2018.02.07 |
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