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關於敦煌莫高窟的三世佛與三佛造像=The Buddhas of Past,Present and Future″and their Figures in the Mogao Grottoes of Dunhuang |
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| Author |
賀世哲
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.2 (總號=n.39) |
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| Date | 1994.05 |
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| Pages | 67 - 88 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Keyword | 北朝; 甘肅; 敦煌莫高窟; 佛教藝術=Buddhist Art; 三世佛 |
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| Abstract | 關于敦煌莫高窟的三世佛與三佛造像賀世哲本文是拙稿《關于十六國北朝時期的三世佛與三佛造像諸問題》￣②一文的續篇，專述敦煌莫高窟的三世佛與三佛造像。（一）北涼到北朝敦煌地區的三世佛造像，從有確切銘文記載的出土文物來看，始見于現存敦煌市博物館的北涼□吉德造...
This paper attempts to expound two questions.1.In the Mogao Grottoes ,themethod of the combination of sculpture and painting was first employed in portraiture ofthe Buddhas of past,present and future in Cave 272 of the Northern Liang.From then onto mid-Tang,the various forms of the Buddhas of past,present and future were made inthis method,but the one in Cave 158 was the best.2.In the Sui Dynasty,three Buddhasof Sakyamuni,Maitreya and Amitabha in group of three,appeared in Cave 276.Its origi-nal form came from the Central plain. Some scholars think that it is a new type of theBuddhas of past, present and future. Hs appearance closely related to Buddhist laymenand women who placed great hope of extrication on Amitabha in the″time without Bud-dha″After the period of the Mid-Tang ;several kinds of stories taken from the Buddhistseriptures were of ten painted on one wall of the cave.So there are even more than tenpaintings of Buddhist stories depicted in a cave as if the cave were the Buddhist land ofTrikala Buddhas and Ten Buddhas.The above two types of the figures of the Buddhas ofpast,present and future gradually disappeared in grattoes |
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| ISSN | 10004106 (P) |
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| Categories | 石窟; 佛教圖像; 繪畫 |
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| Dynasty | 南北朝-北朝 |
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| Regions | 甘肅(敦煌莫高窟) |
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| Hits | 492 |
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| Created date | 1998.04.28 |
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| Modified date | 2018.01.29 |
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