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榆林窟回鶻畫像及回鶻蕭氏對遼朝佛教藝術的影響
Author Gridley, Marilyn (著)=葛霧蓮 (au.) ; 楊富學
Source 赤峰學院學報 (漢文哲學社會科學版)=Journal of Chifeng University(Philosophy and Social Science)
Volumev.16 n.1
Date1995
Pages3 - 8
Publisher赤峰學院
Publisher Url http://www.cfxy.cn/
Location赤峰, 中國 [Ch'ihfeng, China]
Content type期刊論文=Journal Article
Language中文=Chinese
Note作者單位:美國密蘇里大學

本文為Marilyn Gridley提交1994年敦煌學國際學術研討會的論文,經作者修改並徵得作者同意。
Keyword考古學; 回鶻; 契丹; 榆林窟; 羅漢; 佛教藝術; 白衣觀音; 畫像; 菩薩; 蕭氏后妃
Abstract在歷史上,回鶻文明對中國西北的敦煌和東北地區的遼文化都有著既深且巨的影響。從出自北京易縣西南八佛洼、北京東北薊縣獨樂寺觀音閣及榆林窟第39窟的幾幅羅漢畫像可以看出,回鶻應是它們之間共同的紐帶。以這些畫像為依據,本文探討了羅漢群像的演變及羅漢-觀音混合群像的發展變化,從而揭示出這些藝術品約曾受到回鶻文明的影響這一史實,認為回鶻對遼代藝術的影響層面很可能遠遠大於以前的想像。
ISSN16732596 (P); 16732596 (E)
Hits485
Created date1998.04.28
Modified date2020.03.16



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