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Zen og kunsten at spejlvende orientalisme |
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| Author |
Borup, J.
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| Source |
Science of Religion
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| Volume | v.32 n.3 |
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| Date | 1998 |
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| Pages | 3 - 20 |
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| Publisher | Roots and Branches |
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| Location | Cambridge, UK [劍橋, 英國] |
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| Content type | 期刊論文=Journal Article |
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| Language | 英文=English |
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| Note | original source Journal：Religionsvidenskabeligt Tidsskrift |
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| Keyword | 禪宗=Zen Buddhism=Zazen Buddhism; 日本佛教=Japanese Buddhism |
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| Abstract | The article intends to put into perspective the critique of Orientalism raised by Edward Said with a case story (beyond Said's Orient) exemplifying how the Orientalist discourse has been inverted，serving as a means of religious and cultural identification. Focusing on the religious environment around the Japanese interpreter and popularizer of Zen Buddhism，D. T. Suzuki，it is argued that a genealogical network of interrelated persons and a reciprocal exchange of ideas and representations, placed within certain historical contexts, made it possible for him to systematically invert those Orientalist ideas, turning them into new East-West dichotomies. It is argued that neither Suzuki-zen nor Orientalism nor inverted Orientalism must be ignored but recognized and contextualized in order to reconstruct Buddhist studies as a natural and important field within the comparative study of religion. (journal's summary) |
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| ISSN | 01658794 |
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| Hits | 271 |
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| Created date | 2000.11
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| Modified date | 2019.08.13 |
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