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Image and Meaning in Tibetan Art: the Aesthetics of Yab-yum and Terrifying Iconography |
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| Author |
葛婉章 (著)=Ge, Wan-zhang (au.)
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| Source |
National Palace Museum Bulletin
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| Volume | v.36 n.2 |
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| Date | 2002.07 |
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| Pages | 75 - 108 |
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| Publisher | 國立故宮博物院=National Palace Museum |
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| Location | 臺北市, 臺灣 [Taipei shih, Taiwan] |
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| Content type | 期刊論文=Journal Article |
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| Language | 英文=English |
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| Keyword | Tibetan Art |
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| Abstract |
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| Table of contents | Introduction
The Primacy of Ritual Protocol and the Merits of Practice
Dharmakaya: the Body of Truth Without Aspect, Taking Human Form to LIberate Beings
Human Desire as the Origin of All Phenomena
The Interaction of Wisdom and Compassion as Inducement for All
Female Wisdom and Male Compassion: the Passive and Active Dynamic
Quelling Demon Obstacles: Instructional Wheel Manifestations
Manifold Faces and Arms: the Meaning of Dharmakaya
The Intimate Analogy of Seeming Reality
Vajradhara: Black Skin and Wrathful Countenance
Transforming Demons into Buddhas: the Oneness of Purity and Defilement
Awakenig Instinct: Inner Understanding and Outer Action
Conclusion |
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| ISSN | 1011906X |
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| Hits | 490 |
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| Created date | 2004.10.15
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| Modified date | 2014.05.22 |
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