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蒙古地區藏傳佛教器樂「經箱樂」初釋
Author 包・達爾汗
Source 中央民族大學學報(哲學社會科學版)=Journal of the Central University for Nationalities(Philosophy and Social Sciences Edition)
Volumev.29 n.2 (總號=n.141)
Date2002
Pages137 - 140
Publisher中央民族大學期刊社
Location北京, 中國 [Beijing, China]
Content type期刊論文=Journal Article
Language中文=Chinese
Note出處:中國期刊網-文史哲輯專欄目錄
Keyword經箱樂; 蒙古佛教; 文化交流
Abstract蒙古地區藏傳佛教是藏傳佛教傳入蒙古後,與固有的蒙古文化相撞、融合而逐步形成的。蒙古地區藏傳佛教的音樂文化包含著豐富的文化質點。「經箱樂」即是其器樂文化諸多形式中的一種,它形成於蒙、漢民族宗教音樂相互交流的歷史進程。「經箱樂」是喇嘛樂師班在民間
喪事上演奏的器樂曲,使用的樂器有笙、管、笛、嗩吶、鼓、 、鈸等,有一套固定的演奏曲牌。
Table of contents1. 「經箱樂」的界定 138
2. 「經箱樂」的樂器編制及使用 138
3. 「經箱樂」曲牌 139
4. 「經箱樂」的音樂特徵 139
(1) 音樂結構以單一曲牌的多次反覆為主 139
(2) 曲牌源於民間,變化不大,基本保留了原型 139
(3) 型態簡易,蒙漢音樂風格並存 140
ISSN10058575 (P)
Hits325
Created date2004.10.29
Modified date2019.11.11



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