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甘肅鎮原縣博物館藏北魏青銅造像及有關問題=A Bronze Sculpture of The Northern Wei Dynasty Treasured in The Museum of Zhenyuan County And Some Relative Questions |
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| Author |
吳葒
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魏文斌
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.3 (總號=n.79) |
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| Date | 2003.06 |
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| Pages | 16 - 21 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 出處:中國期刊網-文史哲輯專欄目錄
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| Keyword | 鎮原縣; 博物館; 北魏青銅造像 |
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| Abstract | 甘肅鎮原縣博物館藏北魏青銅造像及其釋迦、釋迦多寶、交腳彌勒及千佛等內容,本文對這類造像的時代及源流問題作了分析,指出此造像組合形式流行於十六國北朝時期。這類造像最早出現於炳靈寺第169窟,進而影響到雲岡、隴東地區、河西地區…等。
By a comprehensive introduction to the bronze sculpture of the Northern Wei Dynasty housed in The Museum of Zhenyuan County Gansu Province and its presentation motif of Sakyamuni、Sakyamuni sit together with Prabhūtaratna、cross-legged Maitreya and the composition of the Thousand Buddhas, this article is intend to analysis the date and the source of creation of the composition. A conclusion is drawn by above analysis that the composition as a type of arrangement were prevailed at the 5th-6th century during the Sixteen Kingdom period. The earliest evidence were found in Cave 148 at Bingling Temple-Cave, then the type of arrangement were introduced to the Yonggang Grottoes and other Buddhist Temple-Cave sites along the Hexi Corridor and Longdong Area in Gansu Province |
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| ISSN | 10004106 (P) |
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| Categories | 雕塑造像 |
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| Dynasty | 南北朝-北朝-北魏 |
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| Regions | 甘肅(鎮原) |
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| Hits | 425 |
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| Created date | 2005.03.04
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| Modified date | 2018.03.06 |
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