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漢藏佛教美術研究 -- 第三屆西藏考古與藝術國際學術討論會論文集=Studies on Sino-Tibetan buddhist art: proceedings of the third international conference on Tibetan archaeology and art
Author 謝繼勝 (編)=Xie, Ji-sheng (ed.) ; 羅文華 (編)=Luo, Wen-hua (ed.)
Date2009.12.01
Pages375
Publisher上海古籍出版社
Publisher Url http://www.guji.com.cn/
Location上海, 中國 [Shanghai, China]
Content type論文集=Collected Papers
Language中文=Chinese
Abstract本書是國際西藏考古和藝術研究的最新成果,其研究範圍綜合了藏、漢、西夏、蒙古、東巴等各民族古代繪畫、雕塑、建築、紡織印染等各個方面。其中包括中國漢藏學者關於「藏式佛像」、11~13世紀伏虎羅漢類型、元代寺觀壁畫、「雪堆白」藝術、西藏曼陀羅緣起、大黑天樣式等的深度考釋研究,以及國際著名美術史家韋陀、立川武藏等十多位專家關於喜馬拉雅西部佛教藝術類型、緙絲唐卡、元代薩迦寺」阿尼哥」風格造像、迴廊式建築等宏觀和個案的研究。

Table of contents一批流散海外的吐蕃文物的初步考察
解讀《巴協》中「藏式佛像」之說
Cave Temples in Dunhuang & the Period of Tibetan Rule(781-847):
the Vimaiakirti Debae,the Mahaparinirvana of the Buddha
敦煌石窟歷史的重構——敦煌吐蕃期洞窟諸現象之省思
被遺忘的曼陀羅:唐代初傳的金剛界曼陀羅
敦煌藏經洞出土五代絹畫降魔圖像解讀
西夏石窟壁畫中水月觀音的傳承與流變
伏虎羅漢、行腳僧、寶勝如來與達摩多羅——十一世紀至十三世紀中國多民族美術關係史個案分析
Styles in Western Himalayan Art
拉薩藥王山南崖牛頭造像考
Hevajra and Mahakala:A Pair of Tantric Gilt Bronze BuddhistImages from Gansu Province
Dating the kesi-Thangka of Acala in the Tibet Museum,Lhasa
Is There Any「Anige Style」in Nepalo-Tibetan and Tibeto-Chinese
Metal Sculpture of the Sa skya Yuan Period?
Chinese Influence in Some Wall Paintings at Zhwa lu and Their
Political Meaning within Their Cultural Context
興化寺壁畫與晉南元代寺觀壁畫群的幾個問題
一幅巨作,幾點猜測——關於元代刻絲大威德金剛曼荼羅
從勝利幢到雨傘——談元代居庸關過街塔基門券兩壁之四天王造形
Sino-Tibetan Influence on Goryeo Buddhist Art in Korea
A Yung lo Embroidery Thangka:Iconographic and Historic Analysis
A Tibetan Thangka Painted in Beijing
Sino-Tibetan Tangkas of the Chenghua and Zhengde Periods in Western Collections
A Version ofthe Ngor Mandala Collection
略論明清唐卡繪畫中的玻璃器皿
試考雪堆白及其造像藝術
四川白埡寺藏傳佛教壁畫調查報告——壁畫的內容與時代
藏文題記觀世音銅像考——兼論卻英多吉題記造像的製作年代
Sitatapatra(Baisangai fomu;gDugs dkar po):Interactions between Chinese and Tibetan Buddhism
清宮大白傘蓋佛母信仰探析
The Qianlong Emperor's Crypt:Tibetan-Buddhist and Sino-Manchu
Representations in the Mingtang Section
Qing Buddhist Architecture between Beijing,Inner Mongolia and Amdo:
The Huilang Shi Dugang
The Iconography of the Sixteen Karmapas of Tibet,Karmapa-Representations
in Tibet and the West——13th-21st Century
夏吾才讓、張大千和漢藏文化交流,1941-1943:界定中古和現代安多地區畫坊生產的研究方法
佛裝與僧裝的概念以及穿著形式
「定光佛授記」與定光佛
西藏曼荼羅緣起
大黑天圖像樣式考
佛教美術上的仁獸
Research on Technological Style in Studies of Tibetan and Sino-Tibetan Art
Regional Styles in Tibetan Furniture
納西族東巴教「神路圖」與藏傳佛教「生死之輪」比較研究
ISBN9787532551583 (平)
Hits910
Created date2010.07.09
Modified date2022.06.01



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