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中原北方宋遼金時期涅槃圖像考察=An Investigation of Nirvana Images of the Liao-Jin Period from the Central Plains and North China
Author 李靜傑=Li, Jing-jie
Source 故宮博物院院刊=Palace Museum Journal
Volumen.3
Date2008
Pages6 - 46
Publisher紫禁城出版社
Publisher Url http://www.culturefc.cn/index/product.jhtml?act=index
Location北京, 中國 [Beijing, China]
Content type期刊論文=Journal Article
Language中文=Chinese
Note作者屬於清華大學美術學院
Keyword中原北方=Central Plains of North China; 宋遼金=Song, Liao, Jin Dynasties; 涅槃圖像=Nirvana scenes; 孝行=filial piety; 升仙=ascension of immortals
Abstract中原北方宋遼金時期涅槃圖像,具有時代共通性的一面,同時呈現東部地區與西部地區的地域差異。在圖像表現方面,兩地區涅槃圖像不同程度地繼承了唐代因素,相對來說,東部地區沿用的唐代因素較多;西部地區在唐代基礎上又部分地吸收了東部地區宋代因素,並獲得新發展。在圖像內涵方面,東部地區表現為涅槃與彌勒佛組合,延續了傳統圖像的做法,著意表述佛法傳承的意圖。涅檗與三身佛組合是這一時期的新現象,反映了大乘佛教權道、化現思想。西部地區表現為涅槃、羅漢、橫三世佛(釋迦‧彌勒‧阿彌陀)組合,一方面強調了羅漢守護和傳承佛法的作用,另一方面凸顯信徒嚮往並期望將來往生淨土世界的心態。東西兩地區有關摩耶夫人畫面的流行,與當時社會大力宣導孝行的情況密切關聯。涅槃升仙圖像則是佛教進一步世俗化的表現。

The Nirvana images of the Liao-Jin period from the Central Plains and North China have a common age but fall into two distinctive regional types-eastern and western.In terms of artistic expression,the Nirvana images from both regions inherited elements from Tang Dynasty art to different degrees,and generally speaking those images from the eastern region tended to contain more elements of Tang art,while those from the western region drew on elements of eastern art on a basis of Tang art and registered new developments.In pictorial content the Nirvana images of the eastern area showed a connection with Maitreya groupings, and they perpetuated traditional pictorial working methods as well as new images created in this period melding Nirvana images and Buddha triads,reflecting the propagation of Mahayana Buddhism.In the western region,the images of Nirvana,Arhats and the Buddha of the Past, Present and Future were combined.On the one hand this emphasized the protection of the Arhats and th...
ISSN04527402 (P); 04527402 (E)
Hits730
Created date2010.08.11
Modified date2019.09.18



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