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佛教偶像起源及其在貴霜朝的交流=Origin of Buddhist idols and exchanges in the Kushan Dynasty |
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何志國 (著)=He, Zhi-guo (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.1 (總號=n.119) |
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| Date | 2010.02 |
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| Pages | 32 - 38 + 129 - 130 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者為江蘇大學藝術學院教授。
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| Keyword | 貴霜王朝=Kushan dynasty; 佛教偶像起源=Origin of Buddhist idols; 犍陀羅藝術=Gandhara Art; 秣菟羅藝術=Gandhara Art; 藝術交流=Art Exchanges |
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| Abstract | 貴霜王朝迦膩色伽即位于公元78年。佛教偶像起源于迦膩色伽初期,初期的犍陀羅和秣菟羅藝術各自具有鮮明的藝術風格和特點。在貴霜王朝統一的大背景下,兩個流派在自身演變過程之中,吸收了對方的風格,各自也發生了豐富的變化,由此對中國初期佛像的發生和發展產生了重要影響。
Kanishka came his reign of Kushan dynasty in 78 A.D.and round that year of 78 A.D.Buddhist idol were originated.The early art of Gandhara and Mathura Remain each a distinctive art style and characteristics of.Under the historic context of a unified Kushan kingdom,the two locations had their own process of evolution in creation and at the same absorbing each other in art style and concept,enriched each other,thus have an important influence over to the initial stage of Chinese Buddhist creation and development.
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| Table of contents | 一、從豐都西元125 年佛像看印度佛像的起源 33
二、迦膩色伽紀年佛像的年代和分期 34
(一)、犍陀羅迦膩色伽紀年佛像的年代和分期
(二)、秣菟羅迦膩色伽紀年佛像的年代和分期
(三)、初期犍陀羅和秣菟羅藝術特點及其形成的地域、文化原因
三、犍陀羅和秣菟羅藝術的發展和交流 37
(一)、貴霜朝統一為犍陀羅和秣菟羅藝術的交流提供了地域環境
(二)、秣菟羅藝術對犍陀羅藝術的影響
(三)、犍陀羅藝術對秣菟羅藝術的影響
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| ISSN | 10004106 (P) |
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| Hits | 369 |
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| Created date | 2013.10.17 |
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| Modified date | 2018.04.26 |
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