莫高窟西魏北周裝飾圖案研究=Decorative pattern design of the Western Wei Dynasty and the Northern Zhou Dynasty in Mogao Grottoes

李敏 (著)=Lee, Ming (au.)

Author

李敏 (著)=Lee, Ming (au.)

Source

敦煌研究=Dunhuang Research

Volume

n.1 (總號=n.119)

Date

2010.02

Pages

14 - 18 +127

Publisher

敦煌研究編輯部

Publisher Url

http://www.dha.ac.cn/

Location

蘭州, 中國 [Lanzhou, China]

Content type

期刊論文=Journal Article

Language

中文=Chinese

Note

作者為浙江教育學院藝術學院副教授

Keyword

西魏=The Western Wei Dynasty; 北周=The Northern Zhou; 圖案=Pattern Design; 裝飾特征=Decorative Features

Abstract

西魏北周裝飾圖案具有鮮明的時代特征,內容上不僅有佛教紋樣題材,而且加進眾多中國傳統動植物造型;不僅有西域傳來的凹凸明暗畫法,又融入了多層次的暈染法,用筆流暢奔放,筆法由北涼北魏簡潔、鮮明、質樸、奔放風格逐漸轉向細膩柔和、層次多變;色彩清雅而華麗,新的色彩構成關系具有了新的時代特征,這是敦煌裝飾圖案在風格上更為成熟和民族化的轉變。

The decorative pattern designs in the period of the Western Wei and the Northern Zhou Dynasty have distinctive times feature.For there are not only Buddhist signification patterns but also Chinese traditional patterns of animals and plantings as well.Painters applied Turkic art techniques of stucco molding to pictures and layered painter to a vignette effect.Thus gives the paintings forming a new sharp of the times in an elegant and gorgeous style and made Dunhuang Arts to be in a transformation period of nationalization and mature in style.

Table of contents

一、西魏北周壁畫中的裝飾圖案紋樣 15
(一)、忍冬紋
(二)、忍冬蓮花紋
(三)、火焰紋
(四)、欄牆紋
(五)、雲氣紋
(六)、祥禽瑞獸紋
二、西魏北周圖案裝飾特色 17
(一)、飽滿豐富的構成形式
(二)、流暢飛動的筆法
(三)、新的色彩構成關係
三、裝飾風格 17
(一)、清雅華麗 -- 裝飾性與建築性並重
(二)、飛揚的氣韻 -- 魏晉風度
結束語 18

The decorative pattern designs in the period of the Western Wei and the Northern Zhou Dynasty have distinctive times feature.For there are not only Buddhist signification patterns but also Chinese traditional patterns of animals and plantings as well.Painters applied Turkic art techniques of stucco molding to pictures and layered painter to a vignette effect.Thus gives the paintings forming a new sharp of the times in an elegant and gorgeous style and made Dunhuang Arts to be in a transformation period of nationalization and mature in style.

ISSN

10004106 (P)

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