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「觀音救難」的形象圖示 -- 莫高窟第359窟西壁龕內屏風畫內容釋讀=Illustration to Guanyin s (Avalokitesvara) story of saving life from sufferings:An interpretation of the screen-paintings inside the niche of Cave 359 Mogao Grottoes |
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| Author |
張元林 (著)=Zhang, Yuan-lin (au.)
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夏生平 (著)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.5 (總號=n.123) |
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| Date | 2010.10 |
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| Pages | 36 - 46 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 張元林為敦煌研究院資訊資料中心研究員。夏生平為敦煌研究院資訊資料中心館員。
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| Keyword | 觀音救難=Avalokiteshrara’s saving life from sufferings; 第359窟=Cave 359; 屏風畫=Screen-painting; 釋讀=Interpretation |
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| Abstract | 本文認為,莫高窟第359窟西壁龕內屏風畫表現的并不是《藥師經》中"九橫死"的內容,而是依《觀音經》內容所繪,主要表現"觀音救諸難"的內容。在此基礎上,本文還推論本窟屏風畫與西披畫面相組合,共同表達了對《法華經》的信仰。
This article has made a comparative study on the screen-paintings inside the niche of Cave 359 Mogao Grottoes and drew a conclusion that the screen-paintings are not the representations of the Nine-unexpected-death of Tathōgata Bhai ajyaguru Sūtra, but Avalokiteshrara’s saving life from sufferings, the illustrations to Avalokiteshrara story from Saddharmapundarika Sūtra. This article thus inferred that the screen-painting served as a combining form with the paintings on the western celling of Cave 359 together to presenting the belief of Saddharmapundarika-Stura. |
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| Table of contents | 一、緣起 36
二、西壁龕內屏風畫畫面通示 37
三、壁龕內屏風畫內容新識 40
四、結語 45
五、餘論 45
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| ISSN | 10004106 (P) |
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| Hits | 665 |
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| Created date | 2013.08.13 |
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| Modified date | 2022.03.11 |
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