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龜茲石窟壁畫僧衣考=A study of monastic dressing in Kucha Murals |
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| Author |
霍旭初 (著)=Huo, Xu-chu (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.1 (總號=n.125) |
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| Date | 2011.02 |
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| Pages | 1 - 7 + 125 - 128 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者為新疆龜茲研究院研究員，敦煌研究院兼職研究員。 |
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| Keyword | 龜茲石窟=Kucha Grottoes; 僧衣=Monastic Dressing; 著衣法式=Style of Monastic Dressing |
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| Abstract | 僧衣是佛教信徒形象的標志,又是佛教戒律的重要內容,還有成就功德的內涵。佛教對僧衣有嚴格的軌制要求。隨著佛教的發展,特別是部派佛教時期,為了區分不同派別,易于識別派屬身份,各派在僧衣顏色和樣式上各有自己的特征。說一切有部比較考究僧衣標識,制定了與眾不同的式樣標準。龜茲石窟壁畫中的供養比丘和佛教故事中的比丘僧衣,充分反映出說一切有部的僧衣特色。本文通過佛教文獻和龜茲石窟壁畫對照,并用唐代義凈《南海寄歸內法傳》中有關印度說一切有部"著衣法式"等記載,對龜茲石窟僧衣的相關問題作探索與考證。
Kachāya and Uttarasamghāti,dress of the priesthood and important Buddhist conception of ascetic morality and achievements and monastic discipline.Following development of Buddhism,especially entering Sectarian Buddhism period,differential style and color of monastic dressing were settled up for distinction them from one or another school.The school of all beings had refined upon their dressing and had theirs own distinctive style.This distinctive monastic dressing style had reflected in Kucha mural execution. Based on a textual research and iconographic study with the Kucha murals, this article had exploring and testified the monastic dressing in Kucha Grottoes and the relative questions. |
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| ISSN | 10004106 (P) |
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| Hits | 468 |
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| Created date | 2013.08.14 |
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| Modified date | 2018.05.08 |
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