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試析莫高窟第85窟繪塑內容的表現思想=A Preliminary Study on the Thoughts Implicit in the Wall Paintings and Statues in Mogao Cave 85 |
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| Author |
陳菊霞 (著)=Chen, Ju-xia (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.5 (總號=n.129) |
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| Date | 2011.10 |
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| Pages | 35 - 39 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者為敦煌研究院考古研究所副研究員。 |
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| Keyword | 莫高窟=Mogao Grottoes; 第85窟=Cave 85; 翟法榮=Zhai Farong; 禪學=Chan |
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| Abstract | 莫高窟第85窟是歸義軍第二任都僧統翟法榮的功德窟,開鑿于咸通三年(862)至咸通八年(867)。第85窟營建的9世紀中葉正是禪宗在敦煌僧俗中廣泛流行的時期,而翟法榮即是一位兼信南北二宗的禪師,由此,第85窟的繪塑內容打上了翟法榮個人信仰的思想烙印。本文重點討論了第85窟突出禪學思想、禪凈融合和化跡多門的表現思想。
Mogao Cave 85 was built during the period from the third to the eighth year of the Xiantong era by Zhai Farong to celebrate his promotion to chief official of the Buddhist administration.In the middle of the ninth century when Cave 85 was under construction,Chan was popular in the Dunhuang area.Zhai Farong was a high-ranking monk who followed both the Southern and Northern Schools of Chan,so the statues and murals of Cave 85 reflect his religious ideas.This paper mainly discusses the ideas embodied in Cave 85，which gave prominence to the Chan，the mixture of Chan and Pure Land，and the teachings of different schools. |
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| Table of contents | 一、突出禪學思想 35
二、禪淨融合 37
三、表化跡之多門 38
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| ISSN | 10004106 (P) |
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| Categories | 佛教-思想; 石窟; 佛教圖像; 雕塑造像; 繪畫 |
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| Dynasty | 唐代 |
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| Regions | 甘肅(敦煌莫高窟) |
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| Hits | 439 |
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| Created date | 2013.08.26 |
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| Modified date | 2022.06.01 |
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