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莫高窟第17窟壁畫主題淺探=Exploration on the Theme of the Murals in Mogao Cave 17 |
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| Author |
高啟安 (著)=Gau, Chi-an (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.2 (總號=n.132) |
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| Date | 2012.04 |
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| Pages | 39 - 46 + 126 - 127 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者為蘭州商學院敦煌文化研究所教授。 |
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| Keyword | 敦煌莫高窟=Mogao Grottoes in Dunhuang; 第17窟=Cave 17; 壁畫主題=Mural theme |
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| Abstract | 敦煌莫高窟第17窟壁畫內容,表達的是高僧圓寂主題。其拄杖具有禪宗高僧教導徒眾教具的意味;所繪日常用具、侍女,體現了"事死如事生"的喪葬觀;所謂"樹下美人"圖像,其來源受到了古代印度和中國本土早先神樹崇拜、生殖崇拜的影響,可謂中印文化在此點上的交融匯合。文章還對拄杖、團扇、雙樹和綬帶鳥等繪畫元素,雙鹿祥瑞圖像,"雙履"進行了分析,進而認為:第17窟壁畫顯示了禪宗高僧在往生西方世界過程中的行頭和愿望表達,以及與世俗生活割舍不斷的聯系。
The wall paintings in Mogao Cave 17 mainly illustrate the theme of monk’s Parinirvana.The stick not only functions as a walking support but also foreshadows the tools used by Zen Masters to enlighten their followers.The daily necessities for monks in the murals stand for what they need on their way westward.The maid in the mural represents the real life of the masters at Dunhuang and reflects the influences from secular funeral murals,showing the funeral idea of treating life as death.The beauty under the tree was influenced by the worship for holy wood and reproduction in ancient India and China,which can be regarded as evidence for Chinese and Indian cultural exchanges.This paper also analyzes the elements such as the walking stick,round fan,double trees and paired deer and suggests the murals in cave 17 display what Zen masters need on their way to the Western Pure Land,and their wish to be reborn there as well as their connection to secular life. |
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| Table of contents | 一、第17窟壁畫內容概述 40
二、圖像內容辨證 40 |
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| ISSN | 10004106 (P) |
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| Categories | 石窟; 繪畫; 文物維護 |
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| Dynasty | 中國-無 |
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| Regions | 甘肅(敦煌莫高窟) |
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| Hits | 322 |
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| Created date | 2013.08.27 |
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| Modified date | 2018.05.15 |
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