The bibliographic record is provided by 李玉珉老師.
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石窟藝術筆記 -- 隋唐時期的敦煌莫高窟與龍門石窟=Notes on Cave Arts: Mogao Grottoes at Dunhuang and the Longmen Grottoes during the Sui and Tang Dynasties |
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| Author |
久野美樹 (著)=Kuno, Miki (au.)
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賀小萍 (譯)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.5 (總號=n.135) |
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| Date | 2012.10 |
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| Pages | 1 - 8 + 140 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者為女子美術大學講師。 |
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| Keyword | 敦煌莫高窟=Mogao Grottoes at Dunhuang; 龍門石窟=Longmen Grottoes; 隋唐時期=Sui and Tang Dynasties; 造像思想=Themes in image creation |
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| Abstract | 本文探討敦煌莫高窟與龍門石窟造像的思想背景,列舉了基于"一即多,多即一"法則的"諸佛"概念、"本跡思想"作用的事實。盡管初唐莫高窟出現了大幅式的阿彌陀凈土變,但正壁多為釋迦系造像,信仰中心仍然以法身與釋迦為主。初盛唐時期莫高窟與龍門石窟的造像主題、形式迥然不同,是由于兩處石窟的功能、作用異同所致。
This paper exemplifies the concept of"various Buddhas" and the function of "Buddha’s various manifestations" based on the principle "One in all,all in one" by studying the themes in image creation at Dunhuang Mogao Grottoes and the Longmen Grottoes.Though large-sized sutra illustrations appeared in the Early Tang Dynasty at the Mogao Grottoes,most front walls contain images related to Sakyamuni,showing that the faith was focused on Dharma-kāya and Sakyamuni.Nevertheless,the Mogao Grottoes completely differ from the Longmen Grottoes in image themes and forms owing to the differing functions and roles of the two Grottoes. |
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| Table of contents | |
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| ISSN | 10004106 (P) |
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| Dynasty | 唐代 |
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| Regions | 甘肅(敦煌莫高窟); 河南(洛陽龍門石窟) |
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| Hits | 620 |
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| Created date | 2013.08.27 |
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| Modified date | 2022.03.17 |
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