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南、北石窟寺七佛造像空間布局之淵源=The Origin of the Space Layout of the Seven Buddha in Southern and Northern Grotto
Author 董華鋒 (著)=Dong, Hua-feng (au.) ; 寧宇 (著)=Ning, Yu (au.)
Source 敦煌學輯刊=Journal of Dunhuang Studies
Volumev.2010 n.1
Date2010.04.30
Pages99 - 109
Publisher蘭州大學敦煌學研究所敦煌學輯刊編輯部
Publisher Url http://dhxyjs.lzu.edu.cn/
Location蘭州, 中國 [Lanzhou, China]
Content type期刊論文=Journal Article
Language中文=Chinese
Note董華鋒為蘭州大學敦煌學研究所2007級博士研究生。寧宇為蘭州大學敦煌學研究所2009級博士研究生。
Keyword南、北石窟寺; 七佛; 克孜爾; 雲岡
Abstract通過梳理七佛造像的發展歷程,我們發現南石窟寺第1窟和北石窟寺第165窟將七佛置于正壁、彌勒置于前壁的做法借鑒自克孜爾石窟第80窟;而將七佛分散于三壁來表現的做法則是參考了云岡石窟第13窟七佛,并略作改動而成。可見,南石窟寺第1窟和北石窟寺第165窟的七佛造像布局既受到來自西部的影響,同時也接受了來自東部的影響。東、西兩個方向的七佛造像布局方式在河西走廊與中原交界處的古涇州之地相遇,使得南、北石窟寺的七佛既有繼承也有革新,形成了獨特的隴東地方特色。

Table of contents一、印度、巴基斯坦早期的七佛造像 100
ISSN10016252 (P); 10016252 (E)
Hits356
Created date2013.09.03
Modified date2017.12.19



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