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「玄奘畫像」解讀 -- 特別關注其密教圖像元素=A Study of The Images of Xuanzang: Focusing on The Iconographic Elements on Tantric Buddhism |
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| Author |
李翎 (著)=Li, Ling (au.)
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| Source |
故宮博物院院刊=Palace Museum Journal
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| Volume | n.4 |
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| Date | 2012 |
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| Pages | 40 - 53 + 159 - 160 |
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| Publisher | 紫禁城出版社 |
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| Publisher Url |
http://www.culturefc.cn/index/product.jhtml?act=index
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| Location | 北京, 中國 [Beijing, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Keyword | 行腳僧=Xingjiaoseng（Itinerant Monk）; 玄奘=Xuanzang; 密教僧像=an image of a tantric monk; 深沙大神=God Shensha（Deep Sand God） |
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| Abstract | 西安興教寺所存玄奘石刻像與日本現存無名氏畫玄奘像,所攜帶的歷史資訊超出了圖像本身。作者認為,這一源於早期行腳僧圖像的出現,是由於玄奘西行求法的成功,刺激了社會民眾對行腳僧的認同,加之西來傳法僧的大量湧現,於是在唐末、尤其是在宋代,出現了一批行腳僧圖像,並由初時的胡僧梵相,變為漢僧模樣,進而附會到玄奘的圖像創作上。而在日本所存著名的"玄奘畫像",事實上可能是一個具密教性質的僧人圖像。作者試圖通過有關這一圖像的文獻解讀,全面分析該圖像所包含的歷史資訊。
Both the stone image statue of Xuanzang preserved in Xingjiao monastery of Xi’an of China and his anonymous portrait in Japan mean much more than the objects themselves.This paper considers the images of Xingjiaoseng(Itinerant Monk) as the predecessor of the images of Xuanzang on the basis that Xuanzang’s successful pilgrimage to India to seek scriptures and a large group of western preachers’ pouring into China from India to disseminate the Dharma inspired the common people to acknowledge Xingjiaoseng(Itinerant Monk),which resulted in the production of his images in large quantities by the end of the Tang and the Song dynasties when the images looked more Han monks than Hu monks as they did at the early stage,and then were falsely translated into the image of Xuanzang.Further more,it has been studied that the image of Xuanzang in Japan is likely to be a monk who is an Esoteric Buddhist.The author bases his studies on the historical texts aiming at a comprehensive knowledge about the images.
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| Table of contents | 引言 40
一、關於耳飾及骷髏飾 42
二、有關行腳僧的圖像資料 45
三、畫像與玄奘的關係 48
結語 52
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| ISSN | 04527402 (P); 04527402 (E) |
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| Hits | 1050 |
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| Created date | 2013.10.18 |
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| Modified date | 2019.09.23 |
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