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日本的阿彌陀凈土圖與敦煌的凈土變=Pictures of the Pure Land of Amitabha Buddha in Japan and the Pure Land Illustrations at Dunhuang |
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| Author |
百橋明穗 (著)=Donohashi, Akio (au.)
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蘇佳瑩 (著)=Su, Jia-ying (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.3 (總號=n.139) |
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| Date | 2013.06 |
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| Pages | 64 - 75 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：神戶大學大學院人文學研究科。
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| Keyword | 日本的阿彌陀凈土=Pure land of Amitabha in Japan; 敦煌凈土變=Pure land illustration at Dunhuang; 凈土觀=Pure land concepts |
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| Abstract | 本文以呈現不同地域與時代的阿彌陀凈土造型表現差異為目的,希望通過日本古代的作品和敦煌莫高窟壁畫的不同說明兩國阿彌陀凈土的造型差異及其背后不同的凈土觀。日本的凈土信仰將"欣求凈土,厭離穢土"看作一種并不遙遠的理想,持續地追求著。日本的凈土圖也正是這一追求的體現:凈土就在身邊。而敦煌以及中國的凈土變卻不表現阿彌陀如來、阿彌陀極樂凈土與現世的自己及往生者的關系,現世的生命與死后的世界之間的關系是非常冷淡的。這一點可以說正是日本的阿彌陀凈土繪畫與敦煌的凈土變最大的不同之處,是彼此不同凈土觀的反應。
This paper addresses the differences between the pure land images of Amitabha at different times
and in different regions, and attempts to demonstrate the different pure land ideas, which might explain the differences between Japanese art and Dunhuang wall paintings of this theme. The pure land belief in Japan regarded “happily seeking pure land and leaving dirt land” as an ideal that could be realized, and kept pursuing it. It was exactly embodied in Japanese pure land images: the pure land is nearby. However, the pure land images from China and particularly from Dunhuang never reflect the relationship between the pure land of Amitabha Buddha among themselves in a secular world, and among those being reborn. This is a very different relationship between the secular life and the afterlife. |
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| ISSN | 10004106 (P) |
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| Hits | 396 |
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| Created date | 2014.03.26 |
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| Modified date | 2018.05.21 |
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