 |
|
|
|
|
|
|
青州風格佛教造像的形成與發展=The Formalistic Buddhist Image in Qingzhou and Its Development |
|
|
|
| Author |
李靜杰=Li, Jing-jie
|
|---|
| Source |
敦煌研究=Dunhuang Research
|
|---|
| Volume | n.2 (總號=n.102) |
|---|
| Date | 2007.04 |
|---|
| Pages | 6 - 13 + 115 + 118 - 120 |
|---|
| Publisher | 敦煌研究編輯部 |
|---|
| Publisher Url |
http://www.dha.ac.cn/
|
|---|
| Location | 蘭州, 中國 [Lanzhou, China] |
|---|
| Content type | 期刊論文=Journal Article |
|---|
| Language | 中文=Chinese |
|---|
| Note | 作者為清華大學美術學院藝術史論系副教授。 |
|---|
| Keyword | 佛教造像; 青州風格 |
|---|
| Abstract | 此稿著重分析了泰安北魏太和十八年金銅佛像在青州風格佛教造像形成過程中的位置和作用。之后,討論了典型青州風格形成時期,廣義青州西部、中部和東部地區的佛教造像,以及青州地區繼續吸收外部因素,和青州風格對外部的影響情況。
This article have laid important emohasis on the number of Buddhist copper sculptures unearthed from Tai’an which is dated form the 10~th year of Taihe(494 A.D.) the Northern Wei Dynasty and made a comprehensive analysis to presentation the omportant of those Buddhist copper sculptures had plated in the process of creation activity of what so called the Qingzhou style in Chinese Buddhist art and its important function in form. And then this article go further on discussing other Buddhist sculoture which were dated the tyoical period of the formalistic Qingzhou style that were found that formalistic Qingzhou style had combined some exotic elements in the Buddhist image while at the same had spread the eastensive infuence of the Qingzhou style over outside of Qingzhou Aresa. |
|---|
| Table of contents | 一、青州風格佛教造像的前期階段 7
二、青州風格佛教造像的形成 10
三、青州風格佛教造像的發展 12
|
|---|
| ISSN | 10004106 (P) |
|---|
| Hits | 310 |
|---|
| Created date | 2014.11.04 |
|---|
| Modified date | 2018.04.17 |
|---|
 |
Best viewed with Chrome, Firefox, Safari(Mac) but not supported IE
|
