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唐宋時期佛教版畫中所見的媒介轉化與子模設計=Media Transfer and Modular Design in Tang-Song Buddhist Illustrated Prints |
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| Author |
黃士珊
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| Source |
藝術史中的漢晉與唐宋史之變
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| Date | 2014.04 |
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| Pages | 385 - 434 + 448 |
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| Publisher | 石頭出版社 |
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| Publisher Url |
https://zh-tw.facebook.com/RockPub
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| Location | 臺北市, 臺灣 [Taipei shih, Taiwan] |
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| Content type | 專題研究論文=Research Paper |
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| Language | 中文=Chinese |
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| Note | 作者單位：美國萊斯大學藝術史系 |
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| Abstract | This study investigates the blossoming of woodblock print illustration in late Tang, Song, Liao, and Xi Xia regimes during the late ninth to twelfth centuries. To date, studies of early Buddhist prints have primarily focused on the relationship between text and image, and less on how the images themselves were derived and transported across vast regions to be adapted and transformed by other artisans. This study explores the way in which multiple sources contributed to the stock of imagery used by print artisans, how they standardized visual motifs into modules, and how this distilled imagery was transferred geographically. The prints studied were produced in a number of important centers including Beijing, Dunhuang, Hangzhou, Kaifeng, and Yinchuan. Compared to wall paintings in caves, temples, and tombs, printed images were portable, mass-produced, and wide-spread, hence an efficient medium for spreading these materials across regions well beyond China. This study proposes that Buddhist printed images had multiple visual sources including other prints, painting, and bas-relief tiles, many of which were not Buddhist but secular. It also shows that Buddhist illustrated prints were not necessarily related to the accompanying texts; rather, they were composed of motifs adapted from an existing pictorial vocabulary and used in a modular fashion by print artisans. In conclusion, this exploration of media transfer and modular design evident in Buddhist prints sheds light on the active role played by print artisans. Though anonymous, they were decisive in standardizing a repertoire of popular motifs and assembling, selecting, and modifying these stock images to create original and coherent compositions. |
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| Table of contents | 一、從「畫」到「版畫」的媒介轉化 391
（一）軸式版畫 392
（二）宮廷製作 395
二、北宋杭州《法華經》版畫 404
（一）地方特色 406
（二）來自繪畫的養分：「牧歸籬舍」 408
（三）擊鼓、洛神圖、漢畫像石 411
三、區域比較與交流 413
（一）西夏與宋、金的比較 415
（二）遼代的佛教版畫 420
結語 423
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| ISBN | 9789866660290 (平) |
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| Hits | 284 |
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| Created date | 2015.05.27 |
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