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The Transnational Buddhism of Spring, Summer, Fall, Winter… and Spring
Author Cho, Francisca
Source Contemporary Buddhism: An Interdisciplinary Journal
Volumev.15 n.1
Date2014.05
Pages109 - 124
PublisherRoutledge
Publisher Url https://www.routledge.com/
LocationAbingdon, UK [阿賓登, 英國]
Content type期刊論文=Journal Article
Language英文=English
NoteSpecial Issue: Buddhism and Film

Francisca Cho received her Ph.D. from the University of Chicago Divinity School and works on East Asian Buddhism from the perspective of aesthetic media. Her first book, Embracing Illusion: Truth and Fiction in the Dream of the Nine Clouds (1996) focused on classic fiction, and her second, Embracing Illusion: Manhae's Poems of Love and Longing (2005) focused on poetry. She is currently working on a monograph on Buddhism and film, from which the current article is excerpted.Address: Theology Department, Georgetown University, Box 571135, Washington DC 20057-1135. Email:
KeywordMotion Pictures -- Reviews
AbstractKim Kiduk's Spring, Summer, Fall, Winter . . . and Spring is a Buddhist film from Korea that reflects both traditional Asian and modern western-influenced impulses. A close reading of the film reveals how it replicates long-standing ritual practices such as seeing and being seen by the Buddha, and literary themes such as the cycle of karma. It also exhibits fidelity to canonical accounts of contemplative practices, reflecting a mainstream interest of western Buddhism that has found its way back to Korean society. Kiduk's film demonstrates that Buddhism is a complex and dynamic entity that evolves through a process of feedback and response in a global context that should not be atomized into “Asian” versus “western,” and “traditional” versus “contemporary” fragments.
Table of contentsThe bodhisattva’s vision 113
Repetition and awakening 117
The question of identity 120
Notes 122
References 123
ISSN14639947 (P); 14767953 (E)
DOI10.1080/14639947.2014.890347
Hits177
Created date2015.11.11
Modified date2017.07.14



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