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Pema Tseden's Transnational Cinema: Screening a Buddhist Landscape of Tibet
Author Smyer Yu, Dan
Source Contemporary Buddhism: An Interdisciplinary Journal
Volumev.15 n.1
Date2014.05
Pages125 - 144
PublisherRoutledge
Publisher Url https://www.routledge.com/
LocationAbingdon, UK [阿賓登, 英國]
Content type期刊論文=Journal Article
Language英文=English
NoteSpecial Issue: Buddhism and Film

Dan Smyer Yu is a Research Group Leader and a visual anthropologist at Max Planck Institute for the Study of Religious and Ethnic Diversity.Address: Max Planck Institute for the Study of Religious and Ethnic Diversity, Hermann-Föge-Weg 11 37073 Göttingen, Germany. Email:
KeywordMotion Pictures -- Exhibitions; Motion Picture Theaters; Motion Picture Producers & Directors; Film Festivals; Motion Picture Industry
AbstractThe emergence of independent Tibetan filmmakers in China only began in the twenty-first century; however, their productions are already being premiered and are winning awards at international film festivals. In their productions the cinematic images of Tibetan cultural landscapes are markedly different from their Western and Chinese counterparts. Both the verisimilitude and believability of their scenes and characters point to the inextricability of Tibetan Buddhism from Tibetan cultural identity. Using a case study of the films of Pema Tseden, the leading Tibetan indie filmmaker in China, this article illustrates the transnational nature of his filmmaking. At the same time it discusses how he cinematically depicts Tibetan Buddhist values being destabilized by the forces of globalization and modernization in the context of contemporary China.
Table of contentsBuilding a transnational Tibetan cinema in China 127
Revitalizing Buddhism in the new Tibetan cinema 130
Touching the modern skin of the Tibetan landscape 134
Aftereffects of a transnational cinematic landscape of Tibet 139
References 142
Filmography 143
ISSN14639947 (P); 14767953 (E)
DOI10.1080/14639947.2014.890355
Hits100
Created date2015.11.11
Modified date2017.07.14



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